Secondary Sources

Aach, Herb. "Die Farbenkugel des Moses Harris." Goethe-Jahrbuch 17 (1998): 255–57.

Abbott, Benjamin Vaughn, compiler and annotator. Decisions on the Law of Patents for Inventions Rendered by English Courts since the Beginning of the Seventeenth Century, 3 vols. Washington, D.C., 1887.

Académie des Sciences, Belles-lettres et Arts de Lyon. Le deuxième centenaire de l'Académie nationale des Sciences, Belles-Lettres et Arts de Lyon 1700–1900. Lyon, 1900.

Adas, Michael. Machines as the Measure of Men: Science, Technology and Ideologies of Western Dominance. Ithaca and London, 1989.

Adrosko, Rita. Natural Dyes and Home Dyeing. 1968. Reprint, New York, 1971.

Ahlers, Willem C. Un chimiste du XVIIIe siècle: Pierre‑Joseph Macquer 1718‑1784: Aspects de sa vie et de son oeuvre. Thèse presentèe en vue de l'obtention du Doctorat de Troisième Cycle, Paris, 1969.

Alder, Ken. "Making Things the Same: Representation, Tolerance and the End of the Ancien Régime in France." Social Studies of Science 28, no. 4 (August 1998): 499–545.

Allen, Brian. Francis Hayman.New Haven, 1987.

Allen, D. G. C. and John L. Abbott, ed. The Virtuoso Tribe of Arts and Sciences: Studies in the Eighteenth‑Century Work and Membership of the London Society of Arts. Athens, GA, 1992.

Allen, Edward A. "Business Mentality and Technology Transfer in Eighteenth-Century France: The Calandre Anglaise at Nîmes, 1752‑1792." History and Technology 8 (1990): 9–23.

Allen, R. L. M. Colour Chemistry. New York, 1971.

Andersen, Kirsti, Brook Taylor's Role In The History of Linear Perspective: A Study of Taylor's Role in the History of Perspective Geometry, Including Facsimiles of Taylor's Two Books on Perspective.Sources In The History Of Mathematics And Physical Sciences 10. New York, 1992.

Anderson, Benedict. Imagined Communities. New York, 1983.

Armstrong, H. L. "Comment on Newton's Inclusion of Indigo in the Spectrum." American Journal of Physics40 (1972): 1709.

Ashton, T. S. The Industrial Revolution. 1947. Reprint, London, 1971.

Averley, Gwen. "The Social Chemists: English Chemical Societies in the Eighteenth and Early Nineteenth Century." Ambix33, no. 2 / 3 (1986): 99–128.

Bahar, Saba. "Jane Marcet and the Limits to Public Science." British Journal for the History of Science 34 (2001): 29–49.

Bakkenis, Tonnie, Rene Hoppenbrouwers, and Helene Dubois H. Dubois, ed. Early Italian Paintings: Techniques and analysis. Maastricht, 1997.

Basalla, George. The Evolution of Technology. Cambridge History of Science Ed. George Basalla and William Coleman. Cambridge, 1988.

Bates, Ralph S. Scientific Societies in the United States. Boston, 1965.

Beaver, Alfred. Memorials of Old Chelsea. London, 1892.

Beer, John J. "Eighteenth Century Theories on the Process of Dyeing" Isis 51 (1960): 21–30.

Belhoste, Jean-François. "Les Manufactures de Drap Fin en France aux XVIIe et XVIIIe Siècles" Revue de l'art, no.65 (1984): 26–38.

Bell, Janis C. "Zaccolini's Theory of Color Perspective." The Art Bulletin 75, no. 1 (1993): 91–112.

Bemrose, William. The Life and Works of Joseph Wright, A.R.A., Commonly Called "Wright of Derby."London, 1885.

Bencard, M. "The Boucher Tapestry at Rosenborg Castle." Caisse Nationale des Monuments Historiques et des Sites, Colloque, Château de Chambord, 19–20 October 1996.

Ben‑David, Joseph. The Scientist's Role in Society. Chicago, 1984.

Benhamou, Reed. "The Verdigris Industry in Eighteenth‑Century Languedoc: Woman's Work, Woman's Art." French Historical Studies 16 (1990): 560–75.

Bensaude-Vincent, Bernadette. "A View of the Chemical Revolution Through Contemporary Textbooks: Lavoisier, Fourcroy and Chaptal." British Journal for the History of Science 23 (1990): 435–60.

Bensaude‑Vincent, Bernadette. "Une Mythologie Révolutionaire dans la Chimie Française." Annals of Science40 (1983): 189–96.

Beretta, Marco. The Enlightenment of Matter: the Definition of Chemistry from Agricola to Lavoisier.Nantucket, Mass., 1993.

Beretta, Marco. "The Historiography of Chemistry in the Eighteenth Century: A Preliminary Survey and Bibliography." Ambix39, no. 1 (1992): 1–10.

Berg, Maxine, and Helen Clifford, ed. Consumers and Luxury: Consumer Culture in Europe 1650–1850. Manchester, 1999.

Berg, Maxine, and Kristine Bruland, ed. Technological Revolutions in Europe: Historical Perspectives. Cheltenham, England, 1998.

Berg, Maxine, and Elizabeth Eger, ed. Luxury in the Eighteenth Century: Debates, Desires and Delectable Goods. Basingstoke, Hants., England, 2003.

Berg, Maxine, Pat Hudson and Michael Sonenscher, ed. Manufacture in Town and Country Before the Factory. Cambridge, 1983.

Berg, Maxine. "From Imitation to Invention: Creating Commodities in Eighteenth-century Britain." The Economic History Review55 (2002): 1–30.

Berg, Maxine. "Factories, Workshops and Industrial Organisation." In Economic History of Britain Since 1700. Ed. Roderick Floud and Donald McCloskey, 2:123–50. Cambridge, 1994.

Bergeon, Ségolène. "Painting Technique: Priming, Coloured Paint Film and Varnish." In Art History and Laboratory: Scientific Examination of Easel Paintings. Ed. Roger Van Schoute and Hélène Verougstraete-Marcq. PACT: Journal of the European Study Group on Physical, Chemical and Mathematical Techniques Applied to Archaeology 13 (1986): 35–61.

Bettey, J. H. "The Cultivation of Woad in the Salisbury Area During the Late Sixteenth Century and Seventeenth Century." Textile History 9 (1978) 112–117.

Bibliographie de la couleur en France 1983‑1987. Paris, 1988.

Biernacki, Richard. The Fabrication of Labor: Germany and Britain, 1640–1914. Berkeley, Calif., 1995.

Biernson, George. "Why Did Newton See Indigo in the Spectrum?" American Journal of Physics 40 (1972): 526–33.

Billington, Dora M. The Techniques of Pottery. London, 1972.

Birembaut, Arthur, and Guy Thullier. "Une Source Inédite: les Cahiers du Chimiste Jean Hellot 1685‑1766." Annales: economies sociétés civilisations 21, no. 2 (1966): 357–64.

Birren, Faber. History of Color in Painting. New York, 1965.

Birren, Faber. "J. C. Le Blon, Discoverer and Developer of the Red-Yellow-Blue Principle of Color Printing and Color Mixture." COLOR Research and Application 6, no. 2 (Summer 1981): 85–92.

Bjelic, Dusan, and Michael Lynch. "The Work of a (Scientific) Demonstration: Respecifying Newton's and Goethe's Theories of Prismatic Color." In Text in Context: Contributions to Ethnomethodology. Ed. Graham Watson and Robert M. Seiler. Sage Focus Editions, 132. Newbury Park, Calif., 1992.

Black, Jeremy, ed. Culture and Society in Britain, 1660–1800. Manchester, 1997.

Blake Roberts, Gaye. "Josiah Wedgwood and His Trade Connections with Liverpool." Proceedings of the Wedgwood Society 11 (1982): 125–35.

Blake Roberts, Gaye. "Mr. Wedgwood and the Porcelain Trade." Proceedings of the Wedgwood Society 12 (1985): 93–108.

Blay, Michel. "Le Rejet au Dix-huitième Siècle de la Classification Traditionnelle des Couleurs: Les Réelles et les Apparentes." Dix-septième siècle 34.3 (1982): 317–30.

Blay, Michel. "Quelques Réflexions sur le Nombre des Couleurs et la Composition du Blanc aux XVIIe et XVIIIesiècles." Histoire de l'art, no. 39 (October, 1997): 3–11.

Blay, Michel. "Lumiére et Couleurs dans le Traité de Haüy, ou 'La Véritable Méthode pour Parvenir à l'Explication' dans les Sciences." Revue de la histoire des sciences 50, no. 3 (1997): 283–292.

Bogosshian, Paul A., and David J. Velleman. "Physicalist Theories of Color." Philosophical Review100, no. 1 (1991): 67–106.

Bomford, David, Ashok Roy, and David Saunders. "Gainsborough's 'Dr Ralph Schomberg'." In National Gallery Technical Bulletin 12. London, 1988.

Bomford, David, Jo Kirby, and Ashok Roy, ed. Impressionism. Art in the Making. London, 1990.

Boon, Jaap J. MolArt: A Multidisciplinary NWO Prioriteit Project on Molecular Aspect of Age in Painted Works of Art Progress Report 1999. Amsterdam: FOM Institute, November 1999.

Born, Wolfgang, M. C. Neuburger, and H.G. Smith. Scarlet. Ciba Review 7. Basel, March 1938..

Bossenga, Gail. "Protecting Merchants: Guilds and Commercial Capitalism in Eighteenth-Century France." French Historical Studies 15, no. 4 (1988): 693–703.

Bouchard, A. "Une Famille d'Artistes Français aux XVIIIe Siècle." Mémoires de la Commission des antiquités du département de la Côte d'Or 21 (1936-7): 135–40.

Bowker Geoffrey C., and Susan Leigh Star. Sorting Things Out: Classification and Its Consequencs. Cambridge, Mass., 1999.

Brédif, Josette. Printed French Fabrics: Toile de Jouy. New York,1989.

Brewer, John, and Roy Porter, ed. Consumumption and the World of Goods. London, 1994.

Bridson, Gavin, and Geoffrey Wakeman. Printmaking and Picture Painting, A Bibliographic Guide to Artistic and Industrial Techniques in Britain 1750–1900.Kidlington, Oxford, England,1984.

Briggs, Robin. "The Académie Royale des Sciences and the Pursuit of Utility." Past and Present 131 (1991): 38–88.

Brighton, J. T. "William Peckitt's Commission Book." The Fifty Fourth Volume of the Walpole Society 54 (1988): 334–453.

Brighton, J. T. "William Peckitt (1731-95) and Portraiture on Glass." Preview (YorkCityArtGallery Bulletin) 34, no. 125 (January 1984): 3–11.

Bristow, Ian. "Ready-Mixed Paint in the Eighteenth Century." Architectural Review 161 (1977): 246–8.

Bristow, Ian. Architectural Colour in British Interiors, 1615–1840. New Haven, 1996.

Bristow,Ian. Interior House‑Painting: Colours and Technology 1615‑1840. New Haven, 1996.

Broman, Thomas H. "Periodical Literature." In Books and the Sciences in History. Ed. Marina Frasca-Spada and Nick Jardine Cambridge, 2000.

Brook, Michael. "Dr. Warwick's Chemistry Lectures and the Scientific Audience in Sheffield 1799–1804." Annals of Science 7 (1955): 224–37.

Brunello, Franco. The Art of Dyeing in the History of Mankind. Trans. Bernard Hickey. Cleveland, OH, 1973.

Buchanan, R. A., and Neil Cossons. The Industrial Archaeology of the Bristol Region.Newton Abbot, 1969.

Buchheim, Wolfgang. "Der Farbenlehrestreit Goethes mit Newton in Wissenschaftsgeschichtlicher Sicht." In Sitzungsberichte der Sächsischen Akademie der Wissenschaftern zu Leipzig. Vol. 123. Berlin, 1991.

Buckley, Francis. "Old Lancashire Glasshouses." Journal of the Society of Glass Technology 13 (1929): 229–42.

Buckley, Francis. Old London Glasshouses. London, 1915.

Buckley, Francis. "The Early Glasshouses of Bristol." Journal of the Society of Glass Technology 9 (1925): 36–61.

Burch, R. M., and William Gamble. Colour Printing and Colour Printers. London, 1910.

Burke, W. J. "Rudolph Ackermann, Promoter of the Arts and Sciences." New York Public Library Bulletin (1935): 36.

Burmester, Andreas, and Claudia Denk. "Blue, Yellow and Green on the Barbazon Palette." Zeitschrift Für Kunsttechnologie und Konservierung 13, no. 1 (1999): 79–87.

Butterfield, Herbert. The Origins of Modern Science. New York, 1957.

Buys, Susan, and Victoria Oakley. The Conservation and Restoration of Ceramics Oxford, 1993.

Camboulives, Catherine. "Jean-Baptiste Midy de Mauléon, ou l'Esprit d'Entreprise à la Veille de la Révolution." Revue d'histoire moderne et contemporaine 27 (1980): 258–69.

Campbell, Colin. "The Desire for the New, Its Nature and Social Location as Presented in Theories of Fashion and Modern Consumerism." Consuming Technologies. Ed. Roger Silverstone and Eric Hirsch. London, 1992.

Campbell, W.A. "Musical Glasses." Chemistry in Britain 25 (February 1989): 145–48.

Candee, Richard. "Preparing and Mixing Colors in 1812." Antiques 113, no. 4 (April 1978): 849–53.

Carbert, John. "Gold-Based Enamel Colours: The Constitution and Applications of Purple of Cassius." Gold Bulletin 13 (1980): 144–50.

de Carbonnel, Katrina Vanderlip. "A Study of French Painting Canvases." Journal of the American Institute for Conservation 20 (1981): 3–20.

Cardon, Dominique. "Textile Research: An Unsuspected Mine of Information on Some Eighteenth-Century European Textile Products and Colour Fashions." Textile History 29 (1998): 93–102.

Cardwell, D. S. L., and C. M. Mellor. "Dyes and Dyeing 1775–1860." British Journal for the History of Science1 (1963): 265–79.

Carlyle, Leslie A. "Authenticity and Adulteration: What Materials Were Nineteenth-Century Artists Really Using?" The Conservator 17 (1993): 56–60.

Carlyle, Leslie A., The Artist's Assistant: Oil Painting Instruction Manuals and Handbooks in Britain 1800–1900 with Reference to Selected Eighteenth-Century Sources. London, 2001.

Carr, Gilly. "Woad, Tattooing, and the Archaeology of Rebellion in Britain." Dyes in History and Archaeology18 (2002): 1–12.

Cassebaum, Dr. H. "Der Ursprung der Indigofärberei. I. Das Aufkommen der Orpermentküpe im 17. und 18. Jahrhundert." Melliand Textilberichte 46, no. 3 (1965): 289–91.

Cassebaum, Dr. H. "Der Ursprung der Indigofärberei. V. Vitriolküpe und Zeugdruck." Melliand Textilberichte 47, no. 3 (1966): 295–97.

Celoria, F. "Archaeology and Dyestuffs I." Science and Archaeologyno. 6 (1971): 15–39.

Celoria, F. "Archaeology and Dyestuffs II: Fifty Early‑Nineteenth-Century Dyestuffs." Science and Archaeology no. 7 (1971): 13–35.

Celoria, F. "Techniques of Pottery‑Making at Newcastle‑Upon‑Tyne, in 1765." Science and Archaeology,no. 18 (1976): 20–24.

Celoria, F. "Techniques of White Salt‑Glaze Stoneware Manufacture in North Staffordshire around 1765." Science and Archaeology,no.18 (1976): 25–28.

Chaldecott, John A. "Science as Josiah Wedgwood's Handmaiden." Proceedings of the Wedgwood Society10 (1979): 73–86.

Chaldecott, John A. "Josiah Wedgwood (1730-95) –Scientist." British Journal for the History of Science 8 (1975): 1–16.

Chapman, Stanley, and Serge Chassagne. European Textile Printers in the Eighteenth Century: A Study of Peel and Oberkampf.London, 1981.

Charleston R. J. "A Painter of Opaque‑White Glass." Glass Notes12 (1953): 13–20.

Charleston R. J. "Lundberg and Ljungberg: Give and Take in the Ceramic Industry of the Eighteenth Century." In Opuscula in honorem C. Hernmarck 27.12.66. Ed. Carl Nordenfalk. (Stockholm, 1967): 39–54.

Charleston R. J. "Michael Edkins and the Problem of English Enamelled Glass." Transactions of the Society of Glass Technology 38 (1954): 3–16.

Charleston R. J. English Glass. London, 1984.

Chartier, Roger. Cultural History: Between Practices and Representations. Trans. Lydia G. Cochrane. Ithaca, NY, 1988.

Chartier, Roger. The Cultural Uses of Print in Eary Modern France. Trans. Lydia G. Cochrane. Princeton, NJ, 1987.

Chassagne, Serge. "Du Nouveau sur un Atelier de Toiles Teintes à la Réserve à Angers 1763–1807, Contemporain de la Manufacture de Tournemine." Annales de Bretagne et des pays de l'ouest 83, no. 1 (1976): 167–85.

Chateau, Théodore. L'histoire de la fabrication du rouge Turc ou d'Andrinople et  la théorie de cette teinture. Paris, 1876.

Chieffo, Clifford T. "Painting in Little: Problems in Conserving Portrait Miniatures on Ivory." Preprints of Papers Presented at the Ninth Annual Meeting of the American Institute for Conservation of Historic and Artistic Works. Washington, D.C., 1981.

Chisick, Harvey. "L'Étendue Sociale de Deux Périodiques du XVIIIe Siècle: l'Année littéraire et le Journal encyclopédique." In Diffusion du savoir et affrontement des idées 1600–1770. Montbrison, 1992.

Clark, C. O. "List of Books and Important Articles on the Technology of Textile Printing." Textile History6 (1975): 89–118.

Clark, Peter. British Clubs and Societies 1580–1800: The Origins of an Associational World. Oxford, 2000.

Clark, Robin J. H., et al. "Indigo, Woad, and Tyrian Purple: Important Vat Dyes from Antiquity to the Present." Endeavour 17, no. 4 (1993): 191–99.

Clark, William, Jan Golinski, and Simon Schaffer, ed. The Sciences in Enlightened Europe. Chicago, 2000.

Clarke, Desmond. Thomas Prior 1681–1751, Founder of the Royal Dublin Society.Dublin, 1951.

Clow, Archibald, and Nan Clow. The Chemical Revolution. London, 1952.

Cohen, Benjamin R. "The Element of the Table: Visual Discourse and the Preperiodic Representation of Chemical Classification" Configurations 2.1 (2004): 41–75.

Cole, Arthur H. The Handicrafts of France, as Recorded in the "Description des arts et métiers" 1761–1788. Kress Library of Business and Economics Publication No. 8. Boston, 1952.

Cole, William A. Chemical Literature, 1700‑1860: A Bibliography with Annotations, Detailed Descriptions, Comparisons, and Locations. London, 1988.

Coleby, L. J. M. "A History of Prussian Blue." Annals of Science 4 (1939): 206–11.

Coleby, L. J. M. The Chemical Studies of P. J. Macquer. London, 1938.

Collingridge, David. "Controling Technology (Response to Johnston)." Social Studies of Science 15 (1985): 373–80.

Color Index. Bradford, Yorks., England,1974.

Conner, Clifford. Jean Paul Marat, Scientist and Revolutionary. Atlantic Highlands, NJ, 1997.

Conservation of Historic Wallpaper. Proceedings of the Wallpaper Conservation Symposium Co-Sponsored by the National Park Service, North Atlantic Region and the New England Document Conservation Center, Andover, MA 24–26 April 1980. Journal of the American Institute for Conservation 20 (1981).

Cook, Cyril. The Life and Work of Robert Hancock: An Account of the Life of the Eighteenth-Century Engraver and of His Designs on Battersa and Staffordshire Enamels and Worcester Porcelain. London, 1947.

Cooper, Carolyn, ed. "Patents and Invention." Technology and Culture 32 (October 1991).

Cooter, Roger, and Stephen Pumfrey. "Separate Spheres and Public Places: Reflections on the History of Science Popularization and Science in Popular Culture." History of Science 32 (1994): 203–37.

Copeland, Robert. "Closer to the Bone: The Development of Bone China." Northern Ceramic Society Journal 9 (1992): 1‑25.

Coquery, Natacha. L'hôtel aristocratique: Le marché du luxe à Paris au XVIIIe siècle.Paris, 1998.

Corbin, Alain. The Foul and the Fragrant: Odor and the French Social Imagination. Cambridge, Mass., 1986.

Coural, Jean. "Les Manufactures Royales." Les monuments historiques de la France.21, no.4 (1975): 57–78.

Coutts, Howard. "A Chelsea Derby Vase and Its Sources." Derby Porcelain International Society Newsletter 18 (May 1990): 22–30.

Cove, S., and Todd, V. "The Constable Project: Current Research into Materials and Techniques." In Conservation Today: Papers Presented at the UKIC 30th Anniversary Conference.London, 1988.

Cox, Alwyn, and Angela Cox. Rockingham Pottery and Porcelain 1745–1842. Faber Monographs on Pottery and Porcelain. Ed. R. J. Charleston and Margaret Medley. London, 1983.

Croft-Murray, Edward. Decorative Painting in England, 1537–1837. London, 1970.

Crosland, Maurice P. Historical Studies in the Language of Chemistry. Cambridge, Mass., 1962.

Crosland, Maurice P. The Society of Arcueil: A View of French Science at the Time of Napoleon ICambridge, Mass., 1967.

Crossick, Geoffrey, ed. The Artisan and the EuropeanTown 1500–1900. Historical Urban Studies. Brookfield, VT, 1994.

Crow, Thomas E. Painters and Public Life in Eighteenth-Century Paris. New Haven, Conn., 1985.

Cummings, Abbot Lowell, and Richard M. Candee. "Colonial and Federal American Accounts of Early Painting Practices." In Paint in America: The Colors of Historic Buildings. Ed. Roger W. Moss. Washington, D.C., 1994.

Curmer, Albert. Notice sur Jacques Neilson entrepreneur et directeur des teintures de la manufacture royale des tapisseries des Gobelins au VIIIe siècle. Paris, 1878.

Czarnocka, Anna. "vernis-Martin: The Lacquerwork of the Martin Family in Eighteenth-Century France." Studies in the Decorative Arts 2, no. 1 (1994): 56–74.

Czepiel, John A. "Word of Mouth Processes in the Diffusion of a Major Technological Innovation." Journal of Marketing Research11, no. 2 (1974): 172–80.

d'Albis, Antoine. La conquête de la porcelaine dure, histoire inédite de la manufacture au XVIIe siècle, special issue of Dossier de l'art, no. 54 (January / February 1999): 4–116

d'Albis, Antoine "La découverte du kaolin de Saint-Yrieix." Dossier de l'art, no. 54 (January / February 1999): 26–33.

d'Albis, Antoine."Le four et les problèmes de caisson." Dossier deL'art, no. 54 (January / February 1999): 42–48.

d'Albis, Antoine. Traité de la porcelaine de Sèvres. Dijon, 2003.

d'Albis, Antoine. "Two Controversial Decisions by Alexandre Brongniart." In The Sèvres Porcelain Manufactory: Alexandre Brongniart and the Triumph of Art and Industry, 1800–1847. Ed. Derek E. Ostergard. New Haven, Conn., 1996).

d'Albis, Antoine. "Les Débuts de la Peinture Figurative en Porcelaine." In Salon international de la céramique de collection et des arts de feu du 29 Septembre au 3 Octobre 1999. Paris, 1999.

Dallaway, James, ed. "James Christopher Le Blon." In A Catalogue of Engravers Who Have Been Born, or Resided, in England: From the Mss. of Mr. George Vertue. London, 1828.

Danloux, Henri Pierre. Henry Pierre Danloux, peintre de portraits, et son journal durant l'émigration . .Ed. baron Roger Portalis. Paris, 1910.

Darnton, Robert. The Business of Enlightenment. Cambridge, Mass., 1979.

Darnton, Robert. The Forbidden Best‑Sellers of Pre‑Revolutionary France. New York, 1996.

Darnton, Robert. The Kiss of Lamourette: Reflections in Cultural History. New York, 1990.

Daston, Lorraine, and Katharine Park. Wonders and the Order of Nature, 1150–1750. New York, 1998.

Davids, Karel. "Openness or Secrecy? Industrial Espionage in the Dutch Republic." Journal of European Economic History 24 (1995): 333–48.

Dawe, Donovan. Organists of the City of London 1666–1850. A Record of One Thousand Organists with an Annotated Index. [Padstow], 1983.

Day, Joan. "Last of the Dyewood Mills." Industrial Archaeology 3 (1966): 119‑26.

Dear, Peter. "Jesuit Mathematical Science and the Reconstruction of Experience in the Early Seventeenth Century." Studies in History and Philosophy of Science18 (1987): 133–175.

Degroise, Marie-Hélène. "Archaisme et modernisme de l'enseignement Dijonnais aux environs de 1766." In Diffusion du savoir et affrontement des idées 1600–1770. Montbrison, 1992 .

Delorme, Susan. "Une Famille de Grands Commis de l'État, Amis des Sciences au Dix-huitième Siècle: Les Trudaine." Revue d'histoire des sciences et de leurs applications3, no. 2 (1950): 101–9.

Démoris, René. "Peinture et Sciences au Siècle des Lumières: L'Invention d'un Clivage." Dix-huitième siècle 31 (1999): 45–60.

Déré, Anne Claire. "Indiennage et Colorants Naturel à Nantes, Port Colonial et Européen." In Natural Dyestuffs and Industrial Culture in Europe 1750–1880. Ed. Robert Fox and Agustí Nieto-Galan. European Studies in Science History and the Arts, 2. Canton, Mass., 1999.

Déré, Anne Claire. "Oú les Chimistes Publiaient-ils de 1700 à 1789?" Sciences et techniques en perspective 28 (1994): 2–23.

Dittmann, Lorenz. "Farbgestaltung in der Malerei Des 18. Jahrhunderts." Farbgestaltung und Farbtheorie in der abendländischen Malerei:eine Einführung.Darmstadt, 1987.

Dobbs, Betty Jo Teeter, and Margaret C. Jacob, Newton and the Culture of Newtonianism. Atlantic Highlands, NJ, 1995.

Doig, Kathleen Hardesty. 'The Yverdon Encyclopédie." Studies on Voltaire and the Eighteenth Century315 (1994): 85–116.

Dovichenko-Markoff, Eufrosina. "Benjamin Franklin and the Russian Academy of Science." Proceedings (American Philosophical Society) 91, no. 3 (1947): 250–7.

Dolan, Brian. "Pedagogy Through Print: James Sowerby, John Mawe and the Problem of Colour in Early Ninetenth-Century Natural History Illustration." British Journal for the History of Science31 (1998): 275–304.

Dolza, Luisa. "How Did They Know? The Art of Dyeing in Late-Eighteenth-Century Piedmont." In Natural Dyestuffs and Industrial Culture in Europe 1750–1880. Eds. Robert Fox and Agustí Nieto-Galan. European Studies in Science History and the Arts, 2. Canton, Mass., 1999.

Donovan, Arthur, ed. The Chemical Revolution, Essays in Reinterpretation. Osiris, 2d ser., vol. 4. Philadelphia, 1988.

Donovan, Arthur. Antoine Lavoisier: Science, Administration, and Revolution. Oxford, 1993.

Donovan, Arthur. Philosophical Chemistry and the Scotish Enlightenment. Edinburgh, 1975.

Dorvaux, P. "Les grands pharmaciens: VII—Quinquet" Bulletin de la Société d'histoire de la pharmacie no. 22 (May 1919): 33–49.

Drakard, David. "Early Printing at Etruria." Wedgwood Society Proceedings 12 (1986): 193–205.

Dubuc, André. "L'enigme Rouennaise du Rouge des Indes." In Le textile en Normandie: Études diverse. Ed. André Dubuc. Rouen, 1995.

Dubuc, André, ed. Le textile en Normandie: Études diverse. Rouen, 1995.

Duck, Michael. "A Question of Faith: Goethe's Belief in the Immutability of Light." Annals of Science 54 (1997): 397–406.

Duck, Michael. "Newton and Goethe on Colour: Physical and Physiological Considerations." Annals of Science 45 (1988): 507–19.

Duncan, Alistair M. "Particles and Eighteenth Century Concepts of Chemcial Combination." British Journal for the History of Science 21 (1988): 447–53.

Duncan, Alistair M. Laws and Order in Eighteenth-century Chemistry.Oxford, 1996.

Duval, Alain R. "Les Préparations Colorées des Tableaux del'Ecole Française des Dix‑septième et Dix‑huitième Siècles." Studies in Conservation 37 (1992): 239–58.

Eamon, William. "New Light on Robert Boyle and the Discovery of Colour Indicators." Ambix 27 (1980): 198–202.

Eamon, William. Science and the Secrets of Nature.Princeton, NJ, 1994.

Eamon, William. "From the Secrets of Nature to Public Knowledge." In Reappraisals of the Scientific Revolution. Ed. David C. Lindberg and Robert S. Westman. Cambridge, 1990.

Eastaugh, Nicholas. "Some Dyes and Dye-Based Pigments in Turner's Palette." Turner's Painting Techniques in Context. UKIC Conference Postprints. Ed. Joyce Townsend. London, 1995.

Eastaugh, Nicholas. Lead Tin Yellow: Its History, Manufacture, Colour and Structure. Ph.D. diss., University of London, 1988.

Eastlake, Charles Locke. Materials for a History of Oil Painting. London, 1847.

Edelstein, Sidney. "Historical Notes on the Wet-Processing Industry XII: Callicoes and Indiennes– Eighteenth-Century Printing." American Dyestuff Reporter 43 (1956): 495–500.

Edelstein, Sidney. "Historical Notes on the Wet-Processing Industry III: The Contributions of Thomas Cooper." American Dyestuff Reporter 43 (1954): 181–82.

Edelstein, Sidney. "Historical Notes on the Wet-Processing Industry IV: The Dual Life of Edward Bancroft." American Dyestuff Reporter 43 (1954): 712–13, 735.

Eklund, Jon. "British Eighteenth Century Chemical Terms." http://dbhs.wvusd.k12.ca.us/webdocs/Chem-History/Obsolete-Chem-TermsTOC.html.

Eklund, Jon. The Incompleat Chymist: Being an Essay on the Eighteenth-Century Chemist in his Laboratory, with a Dictionary of Obsolete Chemical Terms of the Period. Smithsonian Studies in History and Technology No. 33. Washington, D.C., 1975.

Elliott, Paul. "The Birth of Public Science in the English Provinces: Natural Philosophy in Derby, c. 1690–1760." Annals of Science 57 (2000): 61–100.

Ellis, Margaret Holben. "The Shifting Function of Artists' Fixatives" Journal of the American Institute for Conservation 35 (1996): 239–54.

Emerson, Roger L. "The Philosophical Society of Edinburgh, 1737‑1747." British Journal for the History of Science 12 (1979): 154–91.

Emerson, Roger L. "The Philosophical Society of Edinburgh, 1748‑1768." British Journal for the History of Science 14 (1981): 133–176.

Emerson, Roger L. "The Scottish Enlightenment and the End of the Philosophical Society of Edinburgh." British Journal for the History of Science 21 (1988): 33–66.

Emerson, Roger L."The Philosophical Society of Edinburgh, 1768‑1783." British Journal for the History of Science 18 (1985): 255‑303.

Emptoz, Gérard J. "Chimie Des Colorants et Qualité des Couleurs Face au Changement Technique dans les Années 1860." In Natural Dyestuffs and Industrial Culture in Europe 1750–1880. Ed. Robert Fox and Agustí Nieto-Galan. European Studies in Science History and the Arts, 2. Canton, Mass., 1999.

Englefield, William Alexander Deveroux. History of the Painter‑Stainers Company. London, 1923.

Eriksen, Svend, and Geoffrey de Bellaigue. Sevres Porcelain: Vincennes and Sèvres, 1740‑1800. Trans. R. J. Charleston. Faber Monographs on Pottery and Porcelain. Boston, Mass., 1987.

Eskilson, Stephen. "Color and Consumption." Design Issues 18, no. 2 (Spring 2002): 17–29.

Eyles, V. A. "Abraham Gottlob Werner." History of Science 3 (1964): 102–15.

Eyles, V. A. "Scientific Activity in the Bristol Region in the Past: Bristol and Its Adjoining Counties." In Bristol and its Adjoining Counties.Eds. C. M. MacInnes and W. F. Whittard. Bristol, England, 1955.

Ezell, Margaret J. M. "Richard Waller, F.R.S.: 'In the Pursuit of Nature'." Notes and Records of the Royal Society of London 38, no. 2 (1984): 215–34.

Fairchild's Dictionary of Textiles Ed. Isabel Wingate. 6th ed. New York, 1979.

Fairlie, Susan. "Dyestuffs in the Eighteenth Century." Economic History Review17 (1964-5): 487–510.

Fara, Patricia. Newton: The Making of Genius.New York, 2002.

Farber, Eduard. "The Way from Chemical Principles to the Principles of Chemistry." Histoire de la chemie depuis le dix-huitième siècle. Actes de la XIIe Congress International de la Histoire des Sciences, Vol 6. (1968): 33–36.

Farr, James R. Artisans in Europe 1300–1914. New Approaches to European History. Ed. William Beik and T.C. W. Blanning. Cambridge, 2000.

Farrar, Wilfred Vernon. "Synthetic Dyes before 1860." Endeavour33 (1974): 149–55.

Farrar, Wilfred Vernon, W.H. Brock and Richard Leslie Hills. Chemistry and the Chemical Industry in the Nineteenth Century: The Henrys of Manchester and Other Studies. Brookfield, VT, 1977.

Feller, Robert L., Nathan Stolow, and Elizabeth H. Jones. On Picture Varnishes and Their Solvents. Cleveland and London, 1971.

Feller, Robert L., ed. Artists' Pigments: A Handbook of Their History and Characteristics. Vol. 1. Washington, D.C., 1986.

Fenaille, Maurice, and Jules Guiffrey. État général des tapisseries de la manufacture des Gobelins depuis son origine jusqu'à nos jours 1600–1900.5 vols. Paris, 1903–23.

Ferguson, John. Bibliographical Notes on Histories of Inventions and Books of Secrets.1959. Reprint, London, 1981.

Ferrner, Bengt. Ferrner's Journal 1759–1760: An Industrial Spy in Bath and Bristol. Ed. A. P. Woolrich. Trans. A. den Ouden. Eindhoven, the Netherlands, [1987].

Field, J. V. The Invention of Infinity: Mathematics and Art in the Renaissance. Oxford and New York, 1997.

Fiering, Nathan. "The Transatlantic Republic of Letters: A Note on the Circulation of Learned Periodicals to Early 18th-century America." William and Mary Quarterly 3.33 (1976): 642–60.

Finley, Gerald E. "Turner: An Early Experiment with Colour Theory." Journal of the Warburg and Courtauld Institute 30 (1967): 357–66.

Fitzhugh, Elizabeth West, ed. Artists' Pigments: A Handbook of Their History and Characteristics.Vol. 3 Washington, D.C., 1997.

Fleming, E. McClung. "Artifact Study: A Proposed Model." Winterthur Portfolio9. Ed. Ian M.G. Quimby. Charlottesville, VA, 1974.

Floud, P. C. "The Origins of English Calico Printing." Journal of the Society of Dyers and Colourists 76 (1960): 275–81.

Floud, P.C. "The English Contribution to the Development of Copper-Plate Printing." Journal of the Society of Dyers and Colourists76 (1960): 425–34.

Floud, P.C. "The English Contribution to the Early History of Indigo Printing." Journal of the Society of Dyers and Colourists76 (1960): 344–49.

Floud, P. C. English Chintz. Ciba Review 1961, no. 1.

Folville, X. "Conception Generale du Décor Polychrome au 18 siècle." Bulletin de la Commission Royale des Monuments et des Sites(Brussels) 9 (1980): 327–340.

Fontes da Costa, P. "The Culture of Curiosity at the Royal Society in the First Half of the Eighteenth Century." Notes and Records of the Royal Society of London 56, no. 2 (2002): 147–66.

Forberger, Rudolf. Die Manufaktur in Sachsen Vom Ende Des 16. Bis Zum Anfang Des 19. Jahrhunderts. Deutsche Akademie der Wissenschaften zu Berlin Schriften des Instituts für Geschichte 3. Berlin, 1958.

Forbes, Eric G. "Goethe's Vision of Science." In Common Denominators in Art and Science: The Proceedings of a Discussion Oconference Held Under the Auspices of the School of EpistemicsUniversity of Edinburgh November 1981. Ed. Martin Pollock et al. Aberdeen, 1983.

Forbes, Eric G. "Tobias Mayer's Theory of Colour-Mixing and Its Application to Artistic Reproductions." Annals of Science 26 (1970): 95–114.

Forbes, Eric. Tobias Mayer's Opera Inedita. London, 1971.

Forrester, Stanley D. "The History of the Development of Light Fastness Testing of Dyed Fabrics up to 1902." Textile History 6 (1975): 54–88.

Fox, Maurice. "Past and Present." Textile Chemist and Colorist22, no. 4 (1990): 13–15.

Fox, Robert. "Science et Practique Industrielle en France et en Grand-Bretagne, 1750–1850." In Nature, histoire et société: Essais en hommage à Jacques Roger. Ed. Claude Blanckaert, Jean‑Louis Fischer and Roselyne Rey. Paris, 1995.

Franklin, Alfred. Dictionnaire historique des arts, métiers et professions exercés dans Paris depuis le treizième siècle. . . (Paris, 1905–06).

Franknau, Julia, Eighteenth Century Colour Prints: An Essay on Certain Stipple Engravers and Their Work in Colour. London, 1900.

Franssen, Maarten. "The Ocular Harpsichord of Louis-Bertrand Castel: The Science and Aesthetics of an Eighteenth-Century cause célèbre." Tractrix 3 (1991): 15–77.

Freeman, P. The Development of Ceramic Colours and Decorating Techniques in the Staffordshire Potteries. Stoke-on-Trent, 1977.

Freestone, I. "The Relationship Between Enameling and Glass in the Islamic World." Archaeometry 44, no. 2 (2002): 251–55.

Freudenthal, Gad. "The Role of Shared Knowledge in Science: The Failure of the Constructivist Programme in the Sociology of Science." Social Studies of Science 14 (1984): 285–95.

Friedstein, Harriet G. "A Short History of the Chemistry of Painting." Journal of Chemical Education 58, no. 4 (1981): 291–5.

Fuller, Roy. History of Fuller's Coach and Harness Manufacturers. Bath, 1955.

Gage, John. "Color in Western Art: An Issue?" The Art Bulletin 72 (December 1990): 518–41.

Gage, John. "Colour and Its History." Interdisciplinary Science Reviews 9 (1984): 252–58.

Gage, John. "Colour in History: Relative and Absolute." Art History 1 (1978): 104–30.

Gage, John. "Newton and Painting." In Common Denominators in Art and Science: The Proceedings of a Discussion Conference Held Under the Auspices of the School of EpistemicsUniversity of Edinburgh November 1981. Ed. Martin Pollock, et al. Aberdeen, 1983.

Gage, John. Color and Meaning: Art, Science, and Symbolism. Berkeley, 1999.

Gage, John. Color and Culture: Practice and Meaning from Antiquity to Abstraction. Boston, 1993.

Gascoigne, Bamber. Milestones in Colour Printing 1457‑1859. Cambridge, 1997.

Gascoigne, John. "The Eighteenth-Century Scientific Community: A Prosopographical Study" Social Studies of Science25 (1995): 575‑81.

Gaudriault, Raymond. Filigranes et autres caractéristiques des papiers fabriqués en France aux dix-septième et dix-huitième siècles.Paris, 1995.

Geertz, Clifford. Interpretation of Cultures. New York, 1973.

Geertz, Clifford. Works and Lives: The Anthropologist as Author. Stanford, Calif., 1988.

Geffroy, Gustave. Les musées d'Europe: Les Gobelins. Paris, 1924.

George, Philip. "Scientific Movement and Development of Chemistry in England." Annals of Science 8 (1952): 302–322.

Gerspach, Edouard. Répertoire détaillé des tapisseries des Gobelins exécutées de 1662–1892. Paris, 1893.

Gettens, Rutherford J., and George L. Stout. Painting Materials: A Short Encyclopedia. 1946. Reprint, New York, 1966.

Giacomotti, Jeanne. "Bref aperçu sur les poteries vernissées des provinces Françaises aux dix-septième et dix-huitième siècles." Antologia de belle arte, no. 27–28. Mélanges Verlet 1 (1985): 50–60.

Gibbs, F. W. "A Notebook of William Lewis and Alexander Chisholm." Annals of Science 8 (1952): 202–20.

Gibbs, F. W. "Itinerant Lecturers in Natural Philosophy." Ambix 8, no. 2 (1960): 111–17.

Gibbs, F. W. "Peter Shaw and the Revival of Chemistry." Annals of Science 7 (1951): 211–37.

Gibbs, F. W. "Robert Dossie, 1717‑1777, and the Society of Arts." Annals of Science 7 (1951): 149–72.

Gil-Bremejo Garcia, Juana. "Tintes Minerales en Nueva España." Anuario de Estudios Americanos 41 (1989): 579–615.

Gilhespy, F. Brayshaw. "Joseph Lygo's Letters to Derby." Transactions of the English Ceramic Circle 3, no. 4, (1955): 203–16.

Gille, Bertrand. "État de l'Industrie de la Banlieue Parisienne en 1778." In Documents sur létat de l'industrie et du commerce de Paris et du département de la Seine (1778-1810). Documents pour servir a l'histoire economique de Paris, 1. Paris, 1963.

Gille, Bertrand. "Les Archives d'Entreprises." Revue historique 208, no. 2 (1952): 185–204.

Gille, Bertrand. Le Conseil général des manufactures, inventaire analytique des procès-verbaux, 1810–1829. Paris, 1961.

Gillispie, Charles C. Science and Polity in France at the End of the Old Regime. Princeton, NJ, 1980.

Gillispie, Charles C. "The Natural History of Industry." Isis 48 (1957): 398–407.

Gingras, Yves "What did Mathematics Do To Physics?" Cahiers d'Épistémologie, no. 274 (2001). www.philo.uquam.ca.

Gladstone Pottery Museum, The Development of Ceramic Colours and Decorating Techniques in the Staffordshire Potteries. [Stoke-on-Trent], n.d.

Golinski, Jan. "Peter Shaw, Chemistry and Communication in Augustan England." Ambix 30, no. 1 (1983): 19–29.

Golinski, Jan. Science as Public Culture: Chemistry and the Enlightenment in Britain 1760‑1820. Cambridge, 1992.

Gombrich, E. H. Art and Illusion: A Study in the Psychology of Pictorial tepresentation.Bollingen series, 35 A. W. Mellon Lectures in the Fine Arts, 5. New York, 1965.

Good, John Mason et al. Pantologia: A New Cyclopaedia. London, 1813.

Goodchild, John. "History of the Belle Isle Dyeworks." Wakefield Local History Service, [Wakefield, Yorks.], n.d.

Goodman, John. "'Altar against Altar:' The Colisée, Vauxhall Utopianism and Symbolic Politics in Paris, 1769–77." Art History 15.4 (1992): 434–69.

Goodman, Jordan. "A Cultural History of Colour: Thoughts and Possibilities. Paper Presented at Natural Dyestuffs in Europe 1750–1880." European Science Foundation. Oxford, 4–6 January 1996.

Grandière, Michel. "L'Éducation en France à la Fin du XVIIIe Siècle: Quelques Aspects d'un Nouveau Cadre Éducatif, les 'Maisons d'Éducation.' 1760–1790." Revue d'Histoire Moderne et Contemporaine 23 (1986): 440–62.

Gray, J. J. and Laura Tilling. "Johann Heinrich Lambert, Mathematician and Scientist, 1728–1777." History of Mathematics 5 (1978): 3–41.

Guerlac, Henry. "Some French Antecedents of the Chemical Revolution." In Essays and Papers in the History of Modern Science. Baltimore and London, 1977.

Guerlac, Henry. "Can There be Colors in the Dark?: Physical Color Theory before Newton." Journal of the History of Ideas 47 (1986): 3–20.

Guiffrey, Jules. Les manufactures parisiennes de tapisseries au XVIIe siècle. Paris, 1892.

Guiffrey, Jules. Les manufactures nationales de tapisseries: les Gobelins et Beauvais. Paris, 1908.

Hafter, Daryl. "Philippe Delasalle, from Mise-en-Carte to Industrial Design." Winterthur Portfolio12 (1977): 139–64.

Hafter, Daryl. "The Business of Invention in the Paris Industrial Exposition of 1806." Business History Review58 (1984): 317–35.

Haggar, Reginald G. "Abner Wedgwood's Recipe Book." Northern Ceramic Society Journal 1 (1972‑3): 19–41.

Haggar, Reginald G. "Three Frenchmen in Search of a Patron." Transactions of the English Ceramic Circle10, no. 5 (1980): 248–59.

Hahn, Roger. Anatomy of a Scientific Institution: The ParisAcademy of Sciences 1660–1803. Berkeley, Calif., 1971.

Hahn, Roger. "Scientific Careers in Eighteenth-Century France." In The Emergence of Science in Western Europe. Ed. Maurice Crosland. 127–38. New York, 1976.

Hakfurt, Casper. Optics in the Age of Euler: Conceptions of the Nature of Light, 1700–1795. Cambridge, England,1995.

Håkansson, Håkan. Industrial Technological Development: A Networked Approach.London, and Dover, NH, 1986.

Halbertsma, Dr. K.T.A. History of Color Theory. Amsterdam, 1949.

Hall, Marcia B. Color and Meaning: Practice and Theory in Renaissance Painting. Cambridge, England,1992.

Hall, Marie Boas. Robert Boyle and Seventeenth-Century Chemistry. Cambridge, 1958.

Hankins, Thomas L. "The Ocular Harpsichord of Louis-Bertrand Castel or, The Instrument That Wasn't." In Instruments and the Imagination. Ed. Thomas L. Hankins and Robert J. Silverman. Princeton, NJ, 1995.

Hankins, Thomas L. Science and the Enlightenment. Cambridge History of Science. Ed. George Basalla and William Coleman. Cambridge, England,1985.

Hannaway, Owen. Chemists and the Word. Baltimore, 1975.

Hardie, D. W. F. "The Macintoshes and the Origins of the Chemical Industry." In Science Technology and Economic Growth in the Eighteenth-Century.Ed. A. E. Musson. London, 1972.

Hardie, Martin. Water‑Colour Painting in Britain. Ed. Dudley Snelgrove, Jonathan Mayne, and Basil Taylor. 2d ed. London, 1967‑68.

Hardin, C. L. "van Brakel and the Not-So-Naked Emperor." British Journal for the Philosophy of Science44 (1993): 137–50.

Harley, R. D. Artists Pigments c.1600‑1835: A Study in Documentary Sources. 2d ed. London, 1982.

Harley, R. D. "Oil Colour Containers; Development Work by Artists and Colourmen in the Nineteenth Century."Annals of Science27 (1971): 1–12.

Harley, R.D. "A Nineteenth-century Book of Color Samples." Bulletin of the AIC 15.2 (Summer 1975): 49–54.

Harnack, Adolf. Geschichte der Königliche Preussischen Akademie der Wissenschaften zu Berlin. Berlin, 1900.

Harris, John R. "John Holker: A Lancashire Jacobite in French Industry." Transactions of the Newcomen Society64 (1992-3): 131–41.

Harris, John R. "Law, Espionage and the Transfer of Technology from Eighteenth-Century Britain." In Technological Changes: Methods and Themes in the History of Technology. Ed. Robert Fox. London, 1996.

Harris, John R. "The Rolt Memorial Lecture: Industrial Espionage in the Eighteenth Century." Industrial Archaeology Review7, no 2 (1985): 127–38.

Harris, John R. Industrial Espionage and Technology Transfer: Britain and France in the Eighteenth Century. Aldershot, Hants., England, 1998.

Hartley, Beryl. "The Living Academies of Nature: Scientific Experiment in Learning and Communicating the New Skills of Early Nineteenth-Century Landscape Painting." Studies in the History and Philosophy of Science 27 (1996): 149–80.

Hayes, Julie C. "Imagined Communities of Enlightenment: A Review Essay." Eighteenth-Century Studies 28, no. 1 (1994): 131–5.

Headrick, Daniel R. When Information Came of Age: Technologies of Knowledge in the Age of Reason and Revolution, 1700–1850. London, 2000.

Heaton, H. "Benjamin Gott and the Industrial Revolution in Yorkshire." Economic History Review3 (1931-33): 45–66.

Helme, J. P. "La Science et l'Art: Évolution de la Technique de la Peinture à l'Huile Depuis son Invention Jusqu'à Nos Jours." Revue français des corps gras41, no.1/2 (January-February 1994): 13–19.

Henderson, W.O. Manufactories in Germany. Europäisches Forum. Vol. 6. Frankfurt Am Main, 1985.

Hendry, John. "Newton's Theory of Colour." Centaurus 23, no. 230–251 (1980): 230–51.

Hermens, Erma, Annemiek Ouwerkerk and Nicola Costaras, ed. Looking through Paintings: The Study of Painting Techniques and Materials in Support of Art Historical Research. Baarn, the Netherlands and London, 1998.

Hilaire-Perez, Liliane "Diderot's Views on Artists' and Inventors Rights: Invention, Imitation, Reputation." British Journal for the History of Science 35 (2002): 129–50.

Hilaire-Pérez, Liliane. "Invention and the State in Eighteenth-Century France." Technology and Culture32 (1991): 911–931.

Hofenk-De Graff, Judith. "A Simple Method for the Identification of Indigo." Studies in Conservation 19 (1974): 54–55.

Holmes, Frederic L. "Scientific Writing and Scientific Discovery." Isis 78 (1987): 220–35.

Holmes, Frederic L. Eighteenth-Century Chemistry as an Investigative Enterprise. Berkeley, Calif., 1989.

Holmes, Frederic L. "Do We Understand Historically How Experimental Knowledge is Acquired?" History of Science 30 (1992): 119–35.

Homburg, Ernst. "The Emergence of Research Laboratories in the Dyestuffs Industry, 1790–1900." British Journal for the History of Science25 (1992): 91–111.

Homburg, Ernst and Johan H. De Vlieger. "A Victory of Practice over Science: The Unsuccessful Modernisation of the Dutch White Lead Industry 1780–1865." History and Technology 13 (1996): 33–52.

Homer, William Innes. Seurat and the Science of Painting. Cambridge, Mass., 1964.

Hong, Sungook. "Unfaithful Offspring? Technologies and Their Trajectories." Perspectives on Science 6, no. 3 (1998): 259–87.

Hopper, Robin. "A State of Flux." Ceramics Monthly 36 (October 1988): 74–77.

Hopper, Robin. "Fired Up, Wired Up." Ceramics Monthly37 (February 1989): 31–32.

Hopper, Robin. "Hot to Trot." Ceramics Monthly 36(November 1988): 76–77.

Hopper, Robin. "Mood Indigo." Ceramics Monthly37 (January 1989): 48–49.

Hopper, Robin. "Play it Cool." Ceramics Monthly36(December 1988): 74–75.

Hopper, Robin. "The Empirical Strikes Back." Ceramics Monthly36 (September 1988): 57, 90–92.

Hornix, Willem, and Anthony S. Travis, Guest Eds. "Organic Chemistry and High Technology." British Journal for the History of Science25 (1992): 1–167.

Horovitz, Isabel. "The Materials and Techniques of European Paintings on Copper Supports." Copper as Canvas: Two Centuries of Masterpiece Paintings on Copper 1575–1775.[Organized by] the Phoenix Museum.New York, 1999.

Hoskins, Lesley, ed. The Papered Wall: History, Pattern, Technique. London, 1994.

Howarth, Richard J. "Sources for a History of the Ternary Diagram." British Journal for the History of Science 29 (1996): 337–56.

Howe, Margery Burnham. Deerfield Embroidery. New York, 1976.

Hradil, David, et al. "Clay and Iron Oxide Pigments in the History of Painting." Applied Clay Science22, no. 5(April 2003): 223–36.

Hudson, Derek and Kenneth W. Luckhurst. The Royal Society of Arts 1754‑1954. London, 1954.

Hufbauer, Karl. The Formation of the German Chemical Community 1720–1795.Berkeley, Calif., 1982.

Hufton, Olwyn. Bayeux in the Late Eighteenth Century. Oxford, 1967.

Hughes, Arthur. "Science in English Encyclopædias, 1704‑1875." Annals of Science 7 (1951): 340–70.

Hughes, Thomas Parke. Networks of Power: Electrification in Western Society, 1880‑1930. Baltimore, 1983.

Hunt, Leslie B. "The True Story of Purple of Cassius: The Birth of Gold‑Based Glass and Enamel Colours." Gold Bulletin9 (1976): 134–9.

Hurst, J. G. Edmund Potter and Dinting Vale. Manchester, England, 1948.

Idhe, Aaron. The Development of Modern Chemistry. 1964. Reprint, New York, 1984.

Iliffe, Rob. "Material Doubts: Hooke, Artisan Culture and the Exchange of Information in 1670s London." British Journal for the History of Science 28 (1995): 285–318.

Imdahl, Max. Farbe: Kunsttheoretische Reflexionen in Frankreich. München, 1988.

Irwin, John, and Katherine Brett. The Origins of Chintz, with a Catalogue of Indo-European Cotton-Paintings in the Victoria and AlbertMuseum, London, and the RoyalOntarioMuseum, Toronto. London, 1970.

Jacob, Margaret C. "Scientific Culture in the Early English Enlightenment: Mechanisms, Industry, and Gentlemanly Facts." In Anticipations of the Enlightenment in England, France and Germany. Ed. Alan Charles Kors and Paul J. Korshin. Philadelphia, 1987.

Jacob, Stefan. "Jakob Friedrich Püttner (1720-1798) Grosskaufmann, Montanunternehmer, Feudalherr." Zeitschrift Für Unternehmensgeschichte 24 (1979): 10–38.

Jacob, Stefan. Chemische Vor-und Frühindustrie in Franken die vorindustrielle Produktion wichtiger chemikalien und die Anfänge der chemischen Industrie in fränkischen territorien des 17., 18. und frühen 19. Jahrhunderts. Technikgeschichte in Einzeldarstellungen 9 Düsseldorf, 1968.

Jacqué, Jacqueline, ed. Andrinople, le rouge magnifique: De la teinture à l'impression, une cotonnade à la conquete du monde. Mulhouse, 1995.

Jacquette, Dale. "Color and Armstrong's Color Realism under the Microscope." Studies in the History and Philosophy of Science 26 (1995): 389‑406.

Jaoul, Martine, et al. Des teintes et des couleurs. Paris, 1988.

Jenkins, Ian, and Kim Sloan. Vases and Volcanoes: Sir William Hamilton and his Collection. London, 1996.

Jeremy, David J. "Transatlantic Industrial Espionage in the Early Nineteenth Century." Textile History26 (1995): 95–122.

Johnston, Ron. "Controlling Technology: An Issue for the Social Studies of Science." Social Studies of Science14 (1984): 97–113.

Johnston, Sean F. "The Construction of Colorimetry by Committee." Science in Context 9(4) (1996): 287–420.

Josephs, Zoë. "Mayer Oppenheim, an Eighteenth-Century Birmingham Glassmaker." Birmingham and Warwickshire Archaeological Society Transactions for 1976–7788 (1977): 1–4.

Jullian, Marcel. Histoire de France des commerçants. Paris, 1983.

Kafker, Frank A. Notable Encyclopedias of the Seventeenth and Eighteenth Centuries: Nine Predecessors of the Encyclopédie. Studies on Voltaire and the Eighteenth Century, 194. Oxford, 1981.

Kafker, Frank A. and Serena L. Kafker. The Encyclopedists as Individuals: A Biographical Dictionary of the Authors of the Encyclopédie.Studies on Voltaire and the Eighteenth Century, 257. Oxford, 1988.

Kafker, Frank A. The Influence of the Encyclopédie on the Eighteenth-century Encyclopaedic Tradition.Studies on Voltaire and the Eighteenth Century,315. Oxford, 1994.

Kafker, Frank A. The Encyclopedists as a Group: A Collective Biography of the Authors of the Encyclopédie. Studies on Voltaire and the Eighteenth Century, 345. Oxford, 1996.

Kargon, Robert. Science in Victorian Manchester: Enterprise and Expertise.Baltimore, 1977.

Katritzky, Linde. "Georg Christoph Lichtenberg, F. R. S." Notes and Records of the Royal Society of London 39, no. 1 (1984): 41–50.

Katzenberg, Dena. Blue Traditions: Indigo Dyed Textiles and Related Cobalt Glazed Ceramics from the 17th Through the 19th Century. Baltimore, MD, 1973.

Keck, Sheldon. "Some Picture Cleaning Controversies: Past and Present." Journal of the American Institute for Conservation23 (1984): 73–87.

Kemp, Martin. The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat. New Haven, 1990.

Keyser, Barbara Whitney. "Between Science and Craft: The Case of Berthollet and Dyeing." Annals of Science 47 (1990): 213–60.

Keyser, Barbara Whitney. "Saving the Significance." Museum Management and Curatorship 13 (1994): 130–59.

Killermann, Sebastien. "Jacob Christan Schaeffers Papierversuche (1765-1772)." Der Papierfabrikant 43 (1927): 665–71.

Kim, Mi Gyung. Affinity That Elusive Dream. Cambridge, Mass., 2003.

Kingery, W. David, and Pamela B. Vandiver. Ceramic Masterpieces: Art, Structure, and Technology. New York, 1986.

Kingery, W. David, ed. Learning from Things: Method and Theory of Material Culture Studies. Washington, D.C., 1996.

Kingery, W. David, ed. Ancient Technology to Modern Science. Ceramics and Civilization 1. Westerville, OH, 1985.

Kingery, W. David, ed. Technology and Style. Ceramics and Civilization 2. Westerville, OH, 1986.

Kingery, W. David, ed. The Changing Roles of Ceramics in Society: 26,000 B.P. to to the Present, Ceramics and Civilization 5. Westerville, OH:, 1990.

Kinini, Angélique. "La Fabrication Du Rouge Turc dans la Thessalie de la Fin du XVIII Siècle: Les Manufactures de la Ville d'Ampélakia." In Natural Dyestuffs and Industrial Culture in Europe 1750–1880. Ed. Robert Fox and Agustí Nieto-Galan. European Studies in Science History and the Arts, 2 Canton, Mass., 1999.

Kipnes, Nahum. History of the Principle of Interference of Light. Basel, 1991.

Kirby, Jo, and Raymond White. "The Identification of Red Lake Pigment Dyestuffs and a Discussion of their Use." National Gallery of Art Technical Bulletin 17 (1996): 56–80.

Kirby, J., D. Saunders, and J. Cupitt. "Colorants and Colour Change." In Early Italian Paintings: Techniques and Analysis. Ed. T. Bakkenist, R. Hoppenbrouwers, and H. Dubois. Maastricht, 1997.

Kirk-Othmer Concise Encyclopedia of Chemical Technology. New York, 1985.

Knowles, John A. "William Peckitt, Glass Painter." The Seventeenth Volume of The Walpole Society 17 (1927-1928): 45–60.

Knox, Kevin C. "Dephlogisticating the Bible: Natural Philosophy and Religious Controversy in Late Georgian Cambridge." History of Science 34 (1996): 167–200.

Koelbing, Huldrych M. "Newton's and Goethe's Colour Theories--Contradictory or Complementary Approaches?" In Theory and Experiment: Recent Insights and New Perspectives on Their Relation. Ed. Diderik Batens and Jean Paul van Bendegem. Dordrecht, 1988.

Kohlstedt, Sally G. "Institutional History." Osiris, 2d ser., vol. 1 (Philadelphia, PA, 1985): 17–36.

Koller, Manfred. "Learning from the History of Preventive Conservation." Preventive Conservation Practice, Theory and Research. Preprints of the contributions to the IIC Ottawa Congress, 12–16 September 1994. Ed. Ashok Roy and Perry Smith. (London, 1994).

Kowles, John A. "The History of Copper Ruby Glass." Transactions of the Newcomen Society 6 (1925-6): 66–72.

Kramnick, Isaac. "Eighteenth-Century Science and Radical Social Theory: The Case of Joseph Priestley's Scientific Liberalism." Journal of British Studies 25 (1986): 1–30.

Kuehni, Rolf G. Color Space and Its Divisions: Color Order from Antiquity to the Present.Hoboken, NJ, 2003.

Kuehni, Rolf G. "What the Educated Person Knew About Color A.D. 1700." COLOR Research and Application 6, no. 3 (1981): 228–32.

Lajoix, Anne. "Les Plaques en Porcelaine, un Patrimoine à Redécouvrir." In Salon international de la céramique de collection et des arts de feu du 29 Septembre au 3 Octobre 1999. Paris, 1999.

Lajoix, Anne. "Alexandre Brongniart et la Quête des Moyens de Reproduction en Couleurs." Sèvres, 1, (1992): 64–73.

Lajoix, Anne. "Alexandre Brongniart et la Quête des Moyens de Reproduction en Couleurs (suite)." Sèvres 2 (1993): 52–8.

Lajoix, Anne. "Alexandre Brongniart: Scholar and Member of the Institut de France." In The Sèvres Porcelain Manufactory: Alexandre Brongniart and the Triumph of Art and Industry, 1800–1847. New York, 1997.

Lambert, Susan. The Image Multiplied. London, 1987.

Lang, Heinwig. "Tobias Mayers Abhandlung über die Verwandtschaft der Farben 1759." Die Farbe28, no. 1/2 (1980): 1–34.

Lang, Heinwig. "Trichromatic Theories before Young." COLOR Research and Application 8, no. 4 (1983): 221–31.

Lange, Alfred, ed., Das sächsische Blaufarbenwesen um 1790 in Bildern von August Fürchtegott Winkler. Freiberger Forschungshefte D.25. Berlin, 1959.

La Tour, A. Colbert and the French Wool Manufacture Ciba Review 67 Basel, May 1948. .

Laudan, Rachel. From Mineralogy to Geology: The Foundations of a Science, 1650‑1830. Chicago, 1987.

Laurie, Arthur P. The Painter's Methods and Materials. Philadelphia, 1926.

Lavezzi, Elisabeth. "Le Peintre dans les Dictionnaires des Beaux-arts de Félibien, Marsy, Lacombe et Pernety." In Diffusion du savoir et affrontement des idées 1600–1770. Montbrison, 1992.

Layton, Edwin. "The Historiography of Technology." Technology and Culture15 (1974): 1–48.

Le Deuxième Centenaire de l'Académie Nationale Des Sciences, Belles-Lettres et Arts de Lyon 1700–1900. Lyon, 1900.

Le Grand, H. E. "Theory and Application: The Early Chemical Work of J. A. C. Chaptal." British Journal for the History of Science 17 (1984): 31–46.

Lee, Barry B. "Colour Science in Göttingen in the 18th Century." International Colour Vision Society, 15th meeting (July 23–27, 1999). Göttingen, Germany.

Lee, Barry B. "Die Universität Göttingen und die Entstehuung der Farbenlehre: Tobias Mayers und Georg Christoph Lichtenberges Einsichten in die Natur der Farbe und des Sehens." MPG Spiegel 3/91 (1991): 11–15.

Lefeuve, Charles. Histoire de Paris rue par rue maison par maison. 5th ed. Vol 5. Paris, 1875.

Lefévre, Wolfgang. Natural or Artificial Systems? Classification of Animals and Plants and Its Philosophical Contexts. Paper Presented at ‘Between Leibniz, Newton and Kant.' Berlin, Max Planck Institut für Wissenschaftsgeschichte, 14–16 August 1999.

Legrand, M. S. "Les Vernis à la Fin du Dix-huitième Siècle." Peintures, pigments, vernis 31 (1955):1093-6.

Lemire, Beverly. Dress, Culture and Commerce: The English Clothing Trade Before the Factory, 1660–1800. Basingstoke, 1997.

Lersch, Thomas. "Von der Entomologie zur Kunsttheorie: Ignaz Schiffermüllers Versuch Eines Farbensystems, 1771: Miszellen zur Problemgeschichte der Farbenlehre." In De Arte et Libris: Festschrift Erasmus 1934–1984. Ed. Abraham Horodisch. Amsterdam, 1984.

Lesch, John E. "Systematics and the Geometrical Spirit." In The Quantifying Spirit in the 18th Century. Ed. Tore Frängsmyr, J.L. Heilbron, and Robin E. Rider. Berkeley, Calif., 1990.

Levere, Trevor, and Gerard L'E Turner. Discussing Chemistry and Steam: The Minutes of a Coffee House Philosophical Society. Oxford 2002. Liles, James N. The Art and Craft of Natural Dyeing. Knoxville, TN, 1990.

Lilien, Otto M. Jacob Christoph Le Blon, Inventor of Three and Four Color Printing. Stuttgart, 1985.

Lima de Faria, José. "Past Present and Future of the Classification of Minerals." In Toward a History of Mineralogy, Petrology and Geochemistry. Proceedings of the International Symposium on the History of Mineralogy, Petrology and Geochemistry. Ed. Bernhard Fritscher and Fergus Henderson. Vol. 23. Algorismus: Studien Zur Geschicthe der Mathematik und der Naturwissenschaften Herausgeegeben von Menso Folkerts. Munich, 1998.

Lippincott, Louise. "Arthur Pond's Journal of Receipts and Expenses, 1734–1750." The Fifty Fourth Volume of the Walpole Society 54 (1988): 220–332.

Long, Pamela O. "Invention, 'Intellectual Property,' and the Origins of Patents." Technology and Culture 32 (1991): 846–884.

Long, Pamela O. "The Openness of Knowledge: An Ideal and Its Context in Sixteenth-Century Writings on Mining and Metallurgy." Technology and Culture32 (1991): 318–555.

Lowengard, Sarah. "Colour Quality and Production: Testing Colour in Eighteenth-Century France." Journal of Design History 14 (2001):91-103.

Lowengard, Sarah. "About Mundic." RSA Journal145 No. 5470 (1997): 64.

Lowengard, Sarah. "Dyes and Color in the Eighteenth Century: Historiographic and Other Problems." Society for the History of Technology Annual Meeting (8 October 1994). Lowell, Mass.

Lowood, Henry. Patriotism, Profit and the Promotion of Science in the German Enlightenment, The Economic and Scientific Societies 1760–1815. New York, 1991.

Lundgren, Anders. "The Changing Role of Numbers in 18th-Century Chemistry." In The Quantifying Spirit in the 18th Century. Ed. Tore Frängsmyr, J.L. Heilbron, and Robin E. Rider. Berkeley, Calif., 1990.

Lundgren, Anders. Technological Innovation and Network Evolution. London and New York, 1995.

Lynn, Catherine. "Colors and Other Materials of Historical Wallpaper." Conservation of Historic Wallpaper Proceedings of the Wallpaper Conservation Symposium Co-Sponsored by the National Park Service, North Atlantic Region and the New England Document Conservation Center, Andover, MA 24–26 April 1980. Journal of the American Institute for Conservation 20 (1981): 53–57.

Lynn, Michael. "Divining the Enlightenment: Public Opinion and Popular Science in Old Regime France." Isis 92 (2001): 34–54.

Macleod, Christine. "Accident or Design? George Ravenscroft's Patent and the Invention of Lead-Crystal Glass." Technology and Culture28 (1987): 776–803.

Macleod, Christine. "The Paradoxes of Patenting: Invention and its Diffusion in Eighteenth- and Nineteenth-Century Britain, France and North America." Technology and Culture32 (1991): 885–910.

Mactaggart, Peter, and Ann MacTaggart. "Refiners' Verditers." Studies in Conservation 25 (1980): 37–45.

Mairinger, Franz, and Manfred Schreiner. "Analysis of Supports, Grounds and Pigments." In Art History and Laboratory: Scientific Examination of Easel Paintings. Ed. Roger Van Schoute and Hélène Verougstraete-Marcq. PACT: Journal of the European Study Group on Physical, Chemical and Mathematical Techniques Applied to Archaeology 13 (1986):171-83.

Mander, David. "Lewis Berger and Sons, Ltd.: A Company History." The Terrier: The Friends of Hackney Archives Newsletter12 (Autumn 1988): n.p.

Mankowitz, Wolf. The Portland Vase and the Wedgwood Copies.[London, 1952].

Mann, Julia de L. "Documents Illustrating the Wiltshire Textile Trades in the Eighteenth Century." Transactions of the Wiltshire Record Society 19. Devizes, 1964.

Marek, Jirí. "Newton's Report ("New Theory About Light and Colours") and Its Relation to Results of His Predecessors." Physis 11 (1969): 390–407.

Marillier, H.C. English Tapestries of the Eighteenth Century. London, 1930.

Massing, Ann. "From Print to Painting: The Technique of Glass Transfer Painting." Print Quarterly 6, no. 4 (December 1989): 383–93.

Massing, Ann. "Arnaud Vincent de Montpetit and Eludoric Painting." Zeitschrift für Kunsttechnologie und Konservierung7, no. 2 (1993): 359–68.

Massing, Ann. "Painting Materials and Techniques: Towards a Bibliography of the French Literature before 1800." In Die Kunst und ihre Erhaltung: Rolf E. Straub zum 70. Geburtstag Gewidmet. Worms, 1990.

Matthews, J. Merritt. "Theory of Dyeing." Journal of the Franklin Institute 163(June 1907): 455–60.

Maund, Barry. Colours; Their Nature and Representation. Cambridge, England,1995.

Mayer, Ralph. The Artist's Handbook of Materials and Techniques, rev. ed. New York, 1957.

McCann, Alison. "A Private Laboratory in the Late Eighteenth Century." Annals of Science40 (1983): 635–55.

McClellan, Andrew. Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in Eighteenth-century Paris. Berkeley, 1999.

McClelland, Charles E. State, Society, and University in Germany 1700–1914. Cambridge, 1980.

McClelland, Nancy. Historic Wall-Papers; from Their Inception to the Introduction of Machinery. Philadelphia, 1924.

McClellen III, James E. Science Reorganized: Scientific Societies in the Eighteenth Century. New York, 1985.

McClellen III, James E. Colonialism and Science: Saint Domingue in the Old Regime. Baltimore, 1992.

McCracken, Grant. Culture and Consumption: New Approaches to the Symbolic Character of Consumer Goods and Activities.Bloomington, Ind. 1988.

McCray. W. Patrick. "Creating Networks of Skill: Technology Transfer and the Glass Industry of Venice." Journal of European Economic History 28 (1999): 301–33.

McCray, W. Patrick Glassmaking in Renaissance Venice: The Fragile Craft. Aldershot, Hants., England, 1999.

McGinn, Colin. "Another Look at Color." The Journal of Philosophy 93, no. 11 (1996): 537–54.

McGovern, Patrick. E., ed. Cross‑Craft and Cross‑Cultural Interactions in Ceramics.Ceramics and Civilization 4. Westerville, OH, 1989.

McKendrick, Neil, John Brewer, and J. H. Plumb. The Birth of the Consumer Society. Bloomington, IN, 1982.

McKendrick, Neil. "The Role of Science in the Industrial Revolution: A Study of Josiah Wedgwood as a Scientist and Industrial Chemist." In Changing Perspectives in the History of Science: Essays in Honour of Joseph Needham. Eds. Mikulas Teich and Robert Young. London, 1973.

Meenan, James, and Desmond Clarke, ed. RDS The Royal Dublin Society 1731–197.Dublin, 1981.

Meinel, Christoph. "Empirical Support for the Corpuscular Theory in the Seventeenth Century." In Theory and Experiment: Recent Insights and New Perspectives on Their Relation. Ed. Diderik Batens and Jean Paul Van Bendegem. Synthese Library Studies in Epistemology, Logic, Methodology and Philosophy of Science 195. Dordrecht, 1988.

Melhado, Evan M. "Mineralogy and the Autonomy of Chemistry around 1800." Lychnos Lärdomshistoriska samfundets årsbok Stockholm, 1990.

Mellor, C. M., and D. S. L. Cardwell. "Dyes and Dyeing 1775‑1860." British Journal for the History of Science13 (1963): 265‑79.

Melzer, Dr. Rudolf. Die Färberei als Kaufmännischer Eigenbetrieb. Eine Studie der Wuppertaler Türkischrot-Färberei. Elberfeld, 1910.

Merrifield, Mary P. Medieval and Renaissance Treatises on the Arts of Painting. Original Treatises on the Arts of Painting. 1849. Reprint, New York, 1967.

Metyard, Eliza The Life of Josiah Wedgwood, From His Private Correspondence and Family Papers. London, 1865–66.

Mew, Egan. Battersea Enamels. London, 1926.

Meyer, Arline. Apostles in England: Sir James Thornhill and the Legacy of Raphael's Tapestry Cartoons. New York, 1996.

Millburn, John R. "James Ferguson's Lecture Tour of the English Midlands in 1771." Annals of Science 42 (1985): 397–415.

Miller, Lesley Ellis. "Manufactures and the Man: A Reassessment of the Place of Jacques-Charles Dutillieu in the Silk Industry of Eighteenth-Century Lyon." Textile History 29 (1998): 19–40.

Mills, John, and Raymond White. "Analyses of Paint Media." National Gallery Technical Bulletin 9. London, 1985.

Miray, Fernand. Origine et histoire de l'industrie de la teinture en rouge des Indes (dit rouge turc, rouge d'Andrinople ou rouge de Rouen) à Darnétal et à Saint-Léger-du-Bourg-Denis.[Rouen, 1932].

Mitchell, David. "Levantine Demand and the London Textile Trades, 1650–1730." Bulletin du CIETA 80 (2003): 49–59.

Mohen, Jean-Pierre, directeur de la publication. La Couleur et ses pigments. Techne, no. 4. Paris: Laboratoire de recherche des musées de France, 1996.

Mokyr, Joel. "Technological Change, 1700–1830." In Economic History of Britain Since 1700. Eds. Roderick Floud and Donald McCloskey, 2d ed.. Cambridge, 1994.

Molà, Luca. The Silk Industry of Renaissance Venice. Baltimore, MD, 2000.

Molinier, Emile. Dictionnaire des émailleurs depuis le moyen age jusqu à la fin du dix-huitième siècle. Paris, 1885.

Montgomery, Florence, Printed Textiles: English and American Cottons and Linens, 1700‑1850.New York, 1970.

Montgomery, Florence M. "John Holker's Mid-Eighteenth-Century Livre d'Enchantillons." Studies in Textile History in Memory of Harold B. Burnham.Ed. Veronika Gervers. Toronto, 1977.

Moretti, C., and S. Hreglich. "Opacificcazione e colorazione del vetro mediante le 'anime' 1a Parte: Indagini du ricettari del '700 ed '800." Rivista dellasStazione sperimentale del vetro 14, no. 1 (1984): 17–22.

Morley, Ron. "Mr. Hartley of Hartley, Greens and Co." Northern Ceramic Society Journal 8, (1991): 1–15.

Morrell, J. B. "Bourgeois Scientific Societies and Industrial Innovation in Britain 1780–1850." Journal of European Economic History 24 (1995): 311–32.

Morrell, Jack, and Arnold Thackray.Gentlemen of Science: Early Years of the British Association for the Advancement of Science.Oxford, 1981.

Mortier, Roland, and Hervé Hasquin, ed. "Autour du père Castel et du Clavecin Oculaire." Special issue of Etudes sur le XVIII siècle 23 (1995).

Morton, A. Q. "Concepts of Power: Natural Philosophy and the Uses of Machines in Mid-Eighteenth-Century London." British Journal for the History of Science 28 (1995): 63–78.

Morton, A. Q. "Lectures on Natural Philosophy in London, 1750–1765: S. C. T. Demainbray (1710-1782) and the 'Inattention' of His Countrymen." British Journal for the History of Science 23 (1990): 411–34.

Morton, James. History of the Development of Fast Dyeing and Dyes, A Lecture Delivered Before The Royal Society of Arts on Wednesday, 20th February 1929. N. p., n.d.

Moser, Petra. The Determinants of Innovation: New Evidence from Nineteenth-century World Fairs. Ph.D. diss., University of California, Berkeley, 2002. Ann Arbor, MI, 2002.

Moss, Roger. W., ed. Paint in America The Colors of Historic Buildings. Washington, D.C., 1994.

Mukerji, Chandra. From Graven Images. New York, 1983.

Munck, Thomas. The Enlightenment: A Comparative Social History. London, 2000.

Musson, A. E., and Eric Robinson. Science and Technology in the Industrial Revolution. Manchester, England,1969.

Musson, A. E., ed. Science, Technology and Economic Growth in the Eighteenth Century. London, 1972.

Myrone, Martin, and Lucy Peltz, ed. Producing the Past: Aspects of Antiquarian Culture and Practice 1700–1850. Aldershot, Hants., England, 1999.

Myrone, Martin, and Lucy Peltz. "Introduction: 'Mine Are the Subjects Rejected by the Historian': Antiquarianism, History and the Making of Modern Culture." In Producing the Past: Aspects of Antiquarian Culture and Practice 1700–1850. Ed. Martin Myrone and Lucy Peltz. Aldershot, Hants., England, 1999.

Naber, Dr. Henri Adrien. De Ster van 1572: Cornelis Jacobsz. Drebbel 1572–1634.Amsterdam, 1907.

Nangle, Benjamin Christie. The Monthly Reveiw First Series 1749–1789. Oxford, 1934.

Nangle, Benjamin Christie. The Monthly Review Second series 1790–1815. Oxford, 1955.

Nassau, Kurt. The Physics and Chemistry of Color: The Fifteen Causes of Color. New York, 1983.

Nathan, Nicholas. "Simple Colours." Philosophy61, no. 237 (1986): 345–53.

Neave, E. W. J. "Chemistry in Rozier's Journal. Pt. 2: The Phlogiston Theory." Annals of Science7 (1951): 101‑06.

Neave, E. W. J. "Chemistry in Rozier's Journal. Pt. 4: C. L. Berthollet." Annals of Science7 (1951): 284–92.

Neave, E. W. J. "Chemistry in Rozier's Journal. Pt. 4: Pt. 5: Fixed Air." Annals of Science7 (1951): 293–99.

Neave, E. W. J. "Chemistry in Rozier's Journal. Pt. 8: Chemical Affinity." Annals of Science8 (1952): 28–45.

Nef, John U. "The Prgress of Technology and the Growth of Large-Scale Industry in Great Britain 1540–1640." Economic History Review 5 (October 1934): 3–24.

Nevill, Ralph. French Prints of the Eighteenth Century.London, 1908.

Neville, Roy G., and W. A. Smeaton. "Macquer's Dictionnaire de chymie: A Bibliographical Study." Annals of Science38 (1981): 613–32.

Newcomb, Sally "Laboratory Variables in Late Eighteenth-Century Geology." In Toward a History of Mineralogy, Petrology and Geochemistry. Proceedings of the International Symposium on the History of Mineralogy, Petrology and Geochemistry. Ed. Bernhard Fritscher and Fergus Henderson. Vol. 23. Algorismus Studien Zur Geschicthe der Mathematik und der Naturwissenschaften Herausgeegeben von Menso Folkerts. Munich, 1998.

Newton, R. G., J.T. Brighton, and J. R. Taylor. "An Interpretation of Peckitt's Eighteenth-Century Treatise on Making Glasses and the Stains for Them." Glass Technology30 (1989): 33–38.

Newton, R.G., and J.R. Taylor. "Peckitt's Eighteenth Century Treatise: Staining Glass with Red Tones." Glass Technology 31 (April 1990): 69–71.

Nicholson, William. British Encyclopedia or Dictionary of Arts and Science. London, 1809.

Nieto-Galan, Agustí. Coloring Textiles: A History of Natural Dyestuffs in Industrial Europe.Boston Studies in the Philosophy of Science 217. Dordrecht, Netherlands and Boston, 2001.

Nieto-Galan, Agustí. "Un Projet Régional de Chimie Appliquée à la Fin Du XVIIIe Siècle. Montpellier et son Influence sur l'École de Barelone: Jean-Antoine Chaptal et Francesco Carbonell." Archives internationales d'histoire des sciences 44, no. 132 (1994): 38–62.

Nunn, Catherine, and Dr. Spike Bucklow. "Technical Examination Report for Hayman, The Finding of the Infant Moses." Hamilton Kerr Institute (Cambridge University) Record no. 2179 (November 2004).

Ochs, Kathleen H. "The Royal Society of London's History of Trades Programme: An Early Episode in Applied Science." Notes and Records of the Royal Society of London 39 (1985): 129–58.

Ormrod, David. "The Origins of the London Art Market, 1660–1730." In Art Markets in Europe 1400–1800. Ed. Michael North and David Ormrod. Aldershot, Hants., England, 1998.

Ostergard, Derek E., ed. The Sèvres Porcelain Manufactory: Alexandre Brongniart and the Triumph of Art and Industry, 1800–1847. New Haven, CT, 1996.

Outram, Dorinda. "The Enlightenment Our Contemporary." In The Sciences in Enlightened Europe. Ed. William Clark, Jan Golinski, and Simon Schaffer. Chicago, 2000.

Owen, Dorothy M., and S. W.Woodward, ed. The Minute-Books of The Spalding Gentlemen's Society 1712–1755. Publications of the Lincoln Record Society 73. Lincoln, Lincs., England, 1981.

Owen, Hugh. Two Centuries of Ceramic Art in Bristol. Gloucester, 1873.

Painting Techniques: History, Materials, and Studio Practice. Preprints of the Seventeenth International Congress of the International Institute for Conservation, Dublin, 1998. London, 1998.

Parker, Harold T. An Administrative Bureau during the Old Regime: the Bureau of Commerce and its Relations to French Industry from May 1781 to November 1783. Newark, 1993.

Parker, Harold T. "French Administrators and French Scientists During the Old Regime and the Early Years of the Revolution." In Ideas in History; Essays Presented to Louis Gottschalk by his Former Students. Ed. Richard Herr and Harold T. Parker. Durham, NC, 1965.

Parker, James, Edith Appleton Standen, and Carl Christian Dauterman. Decorative Art from the Samuel H. Kress Collection at the Metropolitan Museum of Art: The Tapestry Room from Croome Court, Furniture, Textiles Sèvres Porcelains, and Other Objects.Greenwich, Conn., 1964.

Parkhurst, Charles, and Robert L. Feller. "Who Invented the Color Wheel?" COLOR Research and Application 7, no.3 (1982): 217–30.

Partington, J. R. A Short History of Chemistry. 3d ed. 1957. Reprint, New York, 1989.

Pastoureau, Michel. "Les Couleurs Aussi Ont une Histoire." L'Histoire 92 (1986): 47–54.

Pastoureau, Michel, Bleu, histoire d'une couleur.Paris, 2000.

Paulocik, Chris, and Sean Flaherty, ed. The Conservation of Eighteenth-Century Painted Silk Dress.New York, 1995.

Peacock, Kenneth "Famous Early Color Organs." Experimental Musucal Instruments 7, no. 2 (September 1991): 1–5.

Peddie, Robert Alexander. An Outline of the History of Printing. London, 1917.

Penn, Theodore Zuk. "Decorative and Protective Finishes, 1750–1850: Materials, Process, and Craft." Association for Preservation Technology Bulletin 16, no. 1 (1984): 3–46.

Perkins, John. "Creating Chemistry in Provincial France Before the Revolution: The Examples of Nancy and Metz. Pt. 1" Ambix50.2 (2003):145-181.

Perrot, Jean-Claude. "Les Dictionnaires de Commerce au XVIIIe Siècle." Revue d'histoire moderne et contemporaine 28 (1981): 36–67.

Pettit, Florence H. America's Indigo Blues. New York, 1974.

Pfluger, Gabriele, Helga Scholz, and Katrin Weinact. Jacob Christian Schaeffer: Superintendent, Naturforscher, Erfinder. Katalog Zur Ausstellung in der Universitätsbibliothek Regensburg 4.3-19-4. 1993. Ed. Angelika Reich. Regensburg, 1993.

Philp, Flavia Perugini. "Coloured Woods on Eighteenth-Century Furniture." In Postprints of the Wood Artifacts Group, American Institute for Conservation Annual Meeting, St. Louis, MO, 1999, 24–33.

Picon, Antoine Technological Change: Methods and Themes in the History of Technology, ed. Robert Fox, Studies in the History of Science, Technology and Medicine, 1 Amsterdam, 1996, 37–49.

Pieper, Renate "Raw Materials from Overseas and Their Impact on European Economies and Societies (XVI-XVIII Centuries)." In Prodotti e tecniche de'oltremare nelle economie Europee, I Settimana Dell'Instituto Internazationle de Storia Economica 'F. Datini' (1997).

Pinard, Jacques. "Les Transformations des Industries Textiles de l'Ouest de la France du Moyen Age au Dix-neuvième Siècle." Annals de Bretagne et des pays de l'ouest 97, no. 3 (1990): 281–89.

Pinault Sørensen, Madeleine. "Pierres Écrites et Dessinées." Dix-huitième siècle 31 (1999): 95–106.

Portalis, Baron Roger, and Henri Béraldi Les graveurs du dix-huitième siècle. Paris, 1880.

Porter, Roy. English Society in the Eighteenth Century. London, 1990.

Porter, Roy. "The New Eighteenth-Century Social History." In Culture and Society in Britain, 1660–1800. Ed. Jeremy Black. Manchester, England, 1997.

Porter, Theodore H. "The Promotion of Mining and the Advancement of Science: The Chemical Revolution in Mineralogy." Annals of Science 38 (1981): 543–70.

Posner, E. "Eighteenth-Century Health and Social Service in the Pottery Industry of North Staffordshire." Medical History 18 (April 1974): 138–45.

Pountney, W. J. Old Bristol Potteries. Bristol, England, 1920.

Prandtl, Wilhelm. "Zur Vorgeschichte Des Meissner Porzellans." Chymia 4 (1953): 115–27.

Preaud, Tamara and Antoine d'Albis. La porcelaine de Vincennes. Paris, 1991.

Price, E. Stanley. John Sadler: A Liverpool Pottery Printer. West Kirby, Lancs., 1948.

Priestley, Ursula, ed. "Letters of Philip Stannard, Norwich Textile Manufacturer 1751‑1763." Norfolk Record Society Volume LVII for 1992 (1994).

Principe, Lawrence M. The Aspiring Adept: Robert Boyle and His Alchemical Quest. Princeton, NJ, 1998.

Procès-verbal des opérations de teintures faites à Yvetot, par le sieur François Gonin, sur les orders du conseil, en présence des sieurs Commissiaires nommés par ordonnance de M. l'Indendant de la Ville and Generalité de Rouen du 11 mai 1756, and sous l'inspection du sieur Godinet, inspecteur principal des manufactures de toiles and toileries de ladite généralité, and commis par le Conseil à cet effet. Rouen, 1756.

Prown, Jules D. "Material / Culture: Can the Farmer and Cowman Still be Friends?" In Learning from Things: Method and Theory of Material Culture Studies. Ed. W. David Kingery. Washington, D.C., 1996.

Puetz, Anne. "Design Instruction for Artisans in Eighteenth Century Britain." Journal of Design History12.3 (1999): 217–39.

Pujol, Stéphane. "Science et Sociablité dans les Dialogues de Vulgarisation Scientifique Au XVIIe Sèicle." In Diffusion du savoir et affrontement des idées 1600–1770. Festival d'histoire de Montbrison, 30 septembre au 4 octobre 1992. Montbrison, 1992.

Pulte, Helmut. Order of Nature and Orders of Science. Mathematical Philosophy of Nature from Newton and Euler to Lagrange and Kant: Some Observations and Reflections on Changing Concepts of Science, Draft Presented at Between Leibnitz, Newton and Kant. (Berlin: Max Planck Institut für Wissenschaftsgeschichte, August 1999).

Pumfrey, Stephen. "Who Did the Work? Experimental Philosphers and Public Demonstrators in Augustan England." British Journal for the History of Science 28 (1995): 131–56.

Puttfarken, Thomas. Roger de Piles' Theory of Art. New Haven, 1985.

Rabuzzi, Daniel A. "Eighteenth-Century Commercial Mentalities as Reflected and Projected in Business Handbooks." Eighteenth-Century Studies 29 (1995-1996): 169–89.

Rainer Alsheimer. "'Industry,' Handwerkerdidaktik und Lektüre. Die Literaturform 'Schauplatz' im 18. und 19. Jahrhundert." Oesterreichische Zeitschrift Für Volkskunde 93, no. 4 (1990): 417–40.

Rappaport, Rhoda "Problems and Sources in the History of Geology, 1749–1810." History of Science 3 (1964): 60–78.

Rappaport, Rhoda. "Baron d'Holbach's Campaign for German (and Swedish) Science." Studies on Voltaire and the Eighteenth Century 323. (1994): 225–46.

Rappaport, Rhoda. "Government Patronage of Science in Eighteenth-Century France." History of Science8 (1969): 119–36.

Rappaport, Rhoda. "Rouelle and Stahl - The Phlogistic Revolution in France." Chymia 7 (1961): 73–102.

Reddy, William M. The Rise of Market Culture. Cambridge, England, 1984.

Redlich, Fritz. "Kaufmännische Selbstbiographen. Eine Sammlung Des 18. Jahrhunderts." In Festschrift Hermann Aubin Zum 80. Geburtstag, ed. Otto Brunner, et al. Wiesbaden, 1965, 320–35.

Reed, Peter. "The British Chemical Industry and the Indigo Trade." British Journal for the History of Science 25 (1992): 113–25.

Rees-Jones, Stephen G. "Early Experiments in Pigment Analysis." Studies in Conservation35 (1990): 93–101.

Règlement de la Teinture pour la Soie, la Laine et le Fil de Lin (Décembre 1669), Registré au Parlement de Rouen le 4 Juin 1670 (Résumé)." In Le textile en Normandie: Études diverse. Ed. André Dubuc. Rouen, 1995.

Reill, Peter Hanns. "Science and the Construction of the Cultural Sciences in Late Enlightenment Germany: The Case of Wilhelm von Humboldt." In History and Theory: Studies in the Philosophy of History. Vol. 33. Middletown, CT, 1994.

Reill, Peter Hanns. "Between Mechanism and Hermeticism: Nature and Science in the Late Enlightenment." In Frühe Neuzeit Frühe Moderne? Forschungen zur Vielschichtigkeit von Übergangsprozessen . Ed. Rudolph Vierhaus. Veröffentlichungen des Max-Planck-Institute für Geschichte, no.104. Göttingen, 1992.

Reilly, Robin. "Josiah Wedgwood, A Lifetime of Achievement." In The Genius of Wedgwood.Ed. Hilary Young. London,1995.

Reilly, Robin. Wedgwood: The New Illustrated Dictionary. Woodbridge, Suffolk England,1995.

Rémond, André. John Holker manufacturier et grand fonctionnaire en France au dix-huitième siècle 1719‑1786. Paris, 1946.

Reuss, J. D. Repertorium Commentationum a Societatibus Litterariis Editarum. Göttingen, 1801–21.

Reverd, Lucien. "La Manufacture des Gobelins et les Colorants Naturels, I. Historique de la Teinture à la Manufacture des Gobelins." Hyphé 1, no. 2 (March-April 1946): 91–104.

Reverd, Lucien. "La Manufacture des Gobelins et les Colorants Naturels, II. Evolution de la Technique." Hyphé1, no. 3 (May-June 1946): 141–93.

Reverd, Lucien. "La Manufacture des Gobelins et les Colorants Naturels, III.Le Retour aux Colorants Naturels" Hyphé 1, no. 4 (July-August 1946) 185–93.

Ribeiro, Aileen. Fashion in the French Revolution. London, 1988.

Rice, Danielle. The Fire of the Ancients: The Encaustic Painting Revival in Europe, 1755–1812, Ph.D. diss., Yale University, 1979. Ann Arbor, MI 1979.

Richards, Sarah. "'A True Siberia': Art in Service to Commerce in the Dresden Academy and the Meissen Drawing School, 1764–1836." Journal of Design History 11, no. 2 (1998): 109–26.

Richards, Sarah. Eighteenth-century Ceramics: Products for a Civilised Society. Manchester, England, 1999.

Richter, Ernst Ludwig, and Heide Härlin. "A Nineteenth-Century Collection of Pigments and Painting Materials." Studies in Conservation 19 (1974): 76–82.

Ridner, John P. Artist's Chromatic Handbook. New York, 1859.

Roberts, Lissa. "Filling the Space of Possibilities: Eighteenth-Century Chemistry's Transition from Art to Science." Science in Context 6, no. 2 (1993): 511–53.

Roche, Daniel. France in the Enlightenment. Trans. Arthur Goldhammer, Harvard Historical Studies. Cambridge, Mass., 1998.

Roche, Daniel. Le siècle des lumières en province: académies et académicie provinciaux, 1680‑1789. Paris, 1978.

Rocque, Georges. "Les Couleurs Complémentaires: Un Nouveau Paradigme." Revue d'histoire des sciences48, no. 3/4, (1994): 405–33.

Rodari, Florian, ed. La anatomie de la couleur: L'invention de l'estampe en couleurs. Paris, 1997.

Rogers, G. A. J. "Science and British Philosophy: Boyle and Newton." In British Philosophy and the Age of Enlightenment. Ed. Stuart Brown. Routledge History of Philosophy, 5. London and New York, 1996.

Roland Michel, Marianne. "Eighteenth-Century Decorative Painting: Some False Assumptions." British Journal for Eighteenth-Century Studies2 (1979): 1–36.

Root, Hilton L. "Privilege and the Regulation of the Eighteenth-Century French Trades." Journal of European Economic History 20 (1991): 301–48.

Rosenband, Leonard N. Papermaking in Eighteenth-Century France: Management, Labor, and Revolution at the Montgolfier Mill 1761–1805. Baltimore, MD, 2000.

Rothstein, Natalie. "Silk in European and American Trade Before 1783: A Commodity of Commerce or Frivolous Luxury?" Paper presented at the Textiles in Trade the Textile Society of America Biennial Symposium. Washington, D.C., 14–16 September 1990. 1–14.

Rothstein, Natalie. "The Anti-Calico Campaign of 1719–21." East London Record 7 (1964): 3–21.

Rothstein, Natalie, ed. Barbara Johnson's Album of Fashions and Fabrics. London, 1987.

Rousseau, G. S. "Science Books and Their Readers in the Eighteenth Century." In Books and Their Readers in Eighteenth‑Century England. Ed. Isabel Rivers. New York, 1982.

Rousseau, G. S., and Roy Porter, ed. The Ferment of Knowledge: Studies in the Historiography of Eighteenth-Century Science. Cambridge, England,1980.

Roy, Ashok, ed. Artists' Pigments: A Handbook of Their History and Characteristics.Vol. 2 Washington, D.C.

Rubenstein, Eric M. "Colour as Simple: A Reply to Westphal." Philosophy 71 (1996): 595–604.

Russell, Terence M. "Ephraim Chambers Cyclopaedia." In The Encyclopaedic Dictionary in the Eighteenth Century Architecture Arts and Crafts. Aldershot, Hants., England, 1997.

Russell, Terence M. "John Harris Lexicon Technicum Incorporating Works of Sir Francis Bacon and Sir Henry Wotton." In The Encyclopaedic Dictionary in the Eighteenth Century: Architecture Arts and Crafts. Aldershot, Hants., England, 1997. Sadoun‑Goupil, M. "Science Pure et Science Appliquée dans l'Oeuvre de Claude‑Louis Berthollet." Revue l'histoire des sciences27 (1974): 127–45.

Sandberg, Gosta. Indigo Textiles: Technique and History. London, 1989.

Sargentson, Carolyn. Merchants and Luxury Markets: The Marchands Merciers of Eighteenth-Century Paris. Victoria and Albert Museum Studies in the History of Art and Design. London, 1996.

Satchell, J. E., et al. "The Kendal Pattern Book." Textile History21 (1990): 223–44.

Sauerberg, Mary Louise. "Examination Report for Hayman, The Finding of the Infant Moses." Hamilton Kerr Institute (Cambridge University). Record no. 2179 (21 July 2003).

Savage, George. Eighteenth Century English Porcelain. London, 1952.

Scarfe, Norman, and Richard Wilson. "Norwich's Textile Industry in 1784." Textile History23 (1992): 113–19.

Schier, Donald S. Louis Bertrand Castel, anti-Newtonian scientist. Cedar Rapids, Iowa, 1941.

Schäfer, Hermann. "Fabrikkultur im Elsass während der Industrialisierung: Eine Annäherung an die Frage nach der Kultur des industriellen Arbeitsplatzes." Technikgeschichte 52 (1985): 275–98.

Schaffer, Simon. "Experimenters' Techniques, Dyers' Hands, and the Electric Planetarium." Isis 88 (1997): 456–83.

Schmid, F. "Some Observations on Artists' Palettes." The Art Bulletin 40 (1958): 334‑36.

Schmid, F. "The Painter's Implements in Eighteenth‑century Art." Burlington Magazine108 (1966): 519–21.

Schmidt, F. H. "Expose Ignorance and Revive the Bon Gout - Foreign Architects at Jacques-Francois Blondel's Ecole des Arts." Journal of the Society of Architectural Historians61 (2002): 4–29.

Schneider, Hans Georg. "The "Fatherland of Chemistry": Early Nationalistic Currents in Late Eighteenth-Century German Chemistry." Ambix 36 (1989): 4–21.

Schofield, Robert. "An Evolutionary Taxonomy of Eighteenth-Century Newtonianisms." Studies in Eighteenth‑Century Culture7 (1978): 175‑92.

Schofield, Robert. "The Industrial Orientation of Science in the Lunar Society of Birmingham." Isis46 (1957): 408–15.

Schofield, Robert. "Josiah Wedgwood, Industrial Chemist." Chymia5 (1959): 193–201.

Schofield, Robert. The Lunar Society of Birmingham: A Social History of Provincial Science and Industry in Eighteenth-Century England. Oxford, 1963.

Schönfeld, Martin. "Was There a Western Inventor of Porcelain?" Technology and Culture 39 (1998): 716–27.

Schroeder, Horst Diether. "Philipp Otto Runges Vater." Wissenschaftliche Zeitschrift der Ernst-Moritz-Arndt Universität 28 (1979): 94–98.

Schümann, Christoph. Der Anteil deutscher Apotheker and der Entwicklung der technischen Chemie zwischen 1750 und 1850. Frankfurt, 1997.

Schuster, Curt. Vom Farbenhandel Zur Farbenindustrie. Die Erste Fusion der BASF, Schriftenreihe Des Unternehmensarchives der BASF Aktiengesellschaft, 11 Ludwigshafen / Rhein, 1973.

Schweppe, Helmut. Identification of Natural Dyes. Washington, D.C., 1986.

Schweppe, Helmut. Handbuch der Naturfarbstoffe: Vorkommen, Verwendung, Nachweis. Landsberg / Lech, 1992.

Schweppe, Helmut. Practical Information for the Identification of Early Synthetic Dyes, and Practical Hints on Dyeing with Early Synthetic Dyes. Washington D.C., 1987.

Scott, Katie. "Hierarchy, Liberty and Order: Languages of Art and Institutional Conflict in Paris (1766-1776)." Oxford Art Journal 12(2) (1989): 59–70. Sepper, Dennis. Goethe Contra Newton: Polemics and the Project for a New Science of Color.Cambridge, England,1988.

Sewell, William H., Jr. Work and Revolution in France. Cambridge, England,1980.

Seyffarth, Richard. Johann Gregorius Höroldt: Vom Porzellannmaler Zum 1.Arkanisten der Königlichen Porzellan-Manufaktur Meißen. Dresden, 1981.

Sgard, Jean. "L'Echelle des Revenus." Dix-Huitième Siècle 14 (1982): 425–33.

Sgard, Jean, ed. Dictionnaire Des Journaux 1600–1789. Paris, 1991.

Shammas, Carole. The Pre-Industrial Consumer in England and America. Oxford, 1990.

Shapin, Steven, and Arnold Thackray. "Prosopography as a Research Tool" History of Science12, no. 1 (1974): 1–28.

Shapiro, Alan E. "Artist's Colors and Newton's Colors." Isis 85 (1994): 600–30.

Shapiro, Alan E. "The Gradual Acceptance of Newton's Theory of Light and Color, 1672–1727." Perspectives on Science 4.1 (Spring 1996): 59–140.

Shapiro, Alan E. Fits, Passions and Paroxysms: Physics, Method and Chemistry and Newton's Theories of Colored Bodies and Fits of Easy Reflection. Cambridge, 1993.

Shepard, Alan "The Literature of a Medical Hoax: The Case of Mary Toft, 'The Pretended Rabbet-Breeder'." Eighteenth-Century Life 19, n.s., no. 2 (1995): 59–77.

Sherman, Paul D. Colour Vision in the Nineteenth Century: The Young-Helmholtz-Maxwell Theory. Bristol, 1981.

Sibalis, Michael David. "Corporatism after the Corporations: The Debate on Restoring the Guilds under Napoleon I and the Restoration." French Historical Studies15, no. 4 (1988): 718–30.

Simcock, Alan V. "195 Years of Photochemical Imaging: 1794‑1989." Annals of Science48 (1991): 3–14.

Simon, Jonathan. "Analysis and the Hierarchy of Nature in Eighteenth-Century Chemistry." British Journal for the History of Science 35 (2002): 1–16.

Singer, Charles, ed. A History of Technology. 8 vols. Oxford, 1958.

Singer, Hans W. "Jacob Christoffel Le Blon and his Three‑Colour Prints." The Studio28 (1903): 261–69.

Sivin, Nathan. "William Lewis (1708-1781) as a Chemist." Chymia 8 (1962): 63–88.

Smail, John. Merchants, Markets and Manufacture: The English Wool Textile Industry in the Eighteenth Century. New York, 1999.

Smail, John, ed. Woollen Manufacturing in Yorkshire: The Memorandum Books of John Brearley, Cloth Frizzer at Wakefield 1758–1762.Records of the Yorkshire Archaeological Society 155 [Leeds], 2001.

Smeaton, William A. "Guyton de Morveau's Course of Chemistry in the Dijon Academy." Ambix9 (1961): 53–69.

Smeaton, William A. "Carl Wilhelm Scheele (1742-1786): Provincial Swedish Pharmacist and World-Famous Chemist." Endeavour16, no. 3 (1992): 128–31.

Smith, Cyril Stanley. "Porcelain and Plutonism." Toward a History of Geology. Ed. Cecil J. Schneer. Cambridge, Mass., 1969.

Smith, John Graham. The Origins and Early Development of the Heavy Chemical Industry in France.Oxford, 1979.

Smith, Pamela H. "Science and Taste: Painting, Passions and the New Philosophy in Seventeenth-Century Leiden." Isis 90 (1999): 421–61.

Smith, R. Angus. Centenary of Science in Manchester. London, 1883.

Snodin, Michael, and John Styles. Design and the Decorative Arts: Britain, 1500–1900.London, 2001.

Solon, M.L. Ceramic Literature: An analytical index to the works published in all languages on the history and the technology of the ceramic art. London, 1910.

Sonenscher, Michael. The Hatters of Eighteenth-Century France. Berkeley, 1987.

Spillmann, Werner. "Moses Harris's The Natural System of Colours and Its Later Representations." COLOR Research and Application 29, no. 5 (October 2004): 333–41.

Stark, Georg. "Indigo and the 40 Robbers: Romantic Transfiguration of the Blue-Printer's Trade in Modern Society." Dyes in History and Archaeology 16/17 (2001): 82–86.

Stearns, Raymond Phineas. "Colonial Fellows of the Royal Society of London, 1661–1788." William and Mary Quarterly 3.3 (1946): 208–68.

Steinle, Friedrich. "Newton and Goethe, Experimenting on Colors." In Theories, Technologies, Instrumentalities of Color. Anthropological and Historiographic Perspectives. Ed. by Barbara Saunders and Jaap van Brakel. Lanham, MD, 2002.

Stent, Gunther S. "Art and Science." Interdisciplinary Science Reviews 9, no. 1 (1984): 86–90.

Stewart, Larry, and Paul Weindling. "Philosophical Threads: Natural Philosophy and Public Experiment Among the Weavers of Spitalfields." British Journal for the History of Science 28 (1995): 37–62.

Stewart, Larry. The Rise of Public Science. Cambridge, England,1993.

Stewart, Larry. "Putting on Airs: Science Medicine and Polity in the late Eighteenth Century." In Discussing Chemistry and Steam: the Minutes of a Coffee House Philosophical Society 1780–1797.Ed. Trevor Levere and Gerard L'E. Turner. Oxford, 2002.

Stobart, Jon. "Textile Industries in North-West England in the Early Eighteenth Century: A Geographical Approach." Textile History29 (1998): 3–18.

Strasser, Rudolf von. Die Einschreibebüchlein Des Wiener Glas- und Porzellanmalers Anton Kothgasser (1769-1851). Karlsruhe, 1977.

Strasser, Rudolf von. "Ein Epilog Zur Veröffentlichung der Einschreibebüchlein Des Wiener Glas-und Porzellanmalers Anton Kothgasser 1769–1851." Alte und Moderen Kunst 23 (1978): 28–30.

Strube, Wilhelm. "Zur Annäherung von Wissenschaft und Produktion Im 18. Jahrhundert - Dargestellt am Beispiel der Chemie." Jahrbuch Für Wirtschaftgeschichte 3 (1974): 141–65.

Sublime indigo. Ouvrage réalisé à l'occasion de l'exposition Sublime indigo, . . . 22 mars-31 mai 1987.Marseille, 1987.

Sutton, Geoffrey. Science for a Polite Society: Gender, Culture, and the Demonstration of Enlightenment. Boulder, CO, 1995.

Swicklik, Michael. "French Painting and the Use of Varnish, 1750–1900." Conservation Research. Studies in the History of Art, 41 (1993):157-74.

Taft, W. Stanley, Jr. and James W. Mayer. The Science of Paintings. New York, 2000.

Talley, M. Kirby and Karin Groen. "Thomas Bardwell and His Practice of Painting: A Comparative Investigation Between Described and Actual Painting Technique." Studies in Conservation 20 (1975): 44–108.

Tattersall, Bruce. Stubbs and Wedgwood: A Unique Alliance Between Artist and Potter. London, 1974.

Taylor, J. R. "The Origin and Use of Cobalt Compounds as Blue Pigments." Science and Archaeology 19 (1977): 3–28.

Terrall, Mary. "Natural Philosophy for Fashionable Readers." In Books and the Sciences in History. Ed. Marina Frasca-Spada and Nick Jardine. Cambridge, 2000.

Thomas, Anne Wall. Colors from the Earth. New York, 1980.

Thompson, Daniel V. The Materials and Techniques of Medieval Painting. 1936. Reprint, New York, 1956.

Thompson, E. P. The Making of the English Working Class. New York, 1966.

Thomson, J. K. J. Clermont‑de‑Lodéve 1633‑1789: Fluctuations in the Prosperity of a Languedocian Cloth‑Making Town. Cambridge, England,1982.

Tilling, Laura. "Early Experimental Graphs." British Journal for the History of Science 8 (1975): 193–213.

Todericiu, Doru. "La Bibliothèque d'un Savant Chimiste et Technologue Parisien du Dix-huitième Siècle: Livres et Manuscrits de Jean Hellot (1685-1766)." Physis 18 (1976): 198–216.

Todericiu, Doru. "Le Traité de Chimie Inachevé de Jean Hellot (1685-1766). Physis19 (1977): 355–75.

Tonnelat, M.‑A. "L'Evolution des Idées sur la Nature des Couleurs." Conference faite au Palais de la Découverte le 3 mars 1956, serie D 41. Paris, 1956.

Topper, David. "Newton on the Number of Colours in the Spectrum." Studies in the History and Philosophy of Science 21 (1990): 269‑79.

Toppin, Aubrey J. "William Hopkins Craft: Enamel Painter." Transactions of the English Ceramic Circle4, no. 4 (1955): 14–18.

Towner, Donald. "David Rhodes, Enameler." Transactions of the English Ceramic Circle 4, no. 4 (1955): 3–13.

Towner, Donald. "The Leeds Pottery Records." Transactions of the English Ceramic Circle 5, no. 5 (1955): 255–68.

Towner, Donald. "The Leeds Pottery." Transactions of the English Ceramic Circle 3, no. 4 (1955): 173–84.

Townsend, Joyce. Turner's Painting Techniques. 2d ed. London, 1996.

Townsend, Joyce. "Materials of J. M. W. Turner: Pigments." Studies in Conservation 38 (1993): 231–54.

Trotman, E.R. Dyeing and Chemical Technology of Textile Fibers. 6th ed. New York, 1984.

Travis, Anthony S. The Rainbow Makers. Bethlehem, PA, 1993.

Trengove, Leonard. "Chemistry at the Royal Society of London in the Eighteenth Century. Pt. 4: Dyes." Annals of Science 26 (1970): 331–53.

Trois siècles de papiers peints. Paris, 1967.

Tromeur, Riwan. "L'ocre, Exactement?" Les cahiers de Terres et Couleurs No.4 (1988).

Uchida, Masao. "The Recognition of Chemical Composition in the Eighteenth Century." Historia Scientarium 40 (1990): 41–55.

Uglow, Jenny, The Lunar Men: Five Friends whose Curiosity Changed the World. New York, 2002.

Unwin, George. Samuel Oldknow and the Arkwrights: the Industrial Revolution at Stockport and Marple. Manchester, 1924.

Utting, J. E., W. E. Bickerstaffe, and J. M. Hunter. "Matthew Turner: Surgeon-Apothecary of Eighteenth-Century Liverpool. His Life and Background." Journal of Medical Biography 10, no. 2 (2002): 63–68.

Valravens, Hartmut, ed. Ein Blaues Wunder: Blaudruck in Europa und Japan. Berlin, 1993.

van Brakel, J. "The Plasticity of Categories: The Case of Colour." British Journal for the Philosophy of Science44 (1993): 103–05.

Van Shendel, A. F. E. "Manufacture of Vermilion in 17th‑Century Amsterdam: The Pekstok Papers." Studies in Conservation 17 (1972): 70–82.

Vanderlip de Carbonnel, Katrina. "A Study of French Painting Canvases." Journal of the American Institute for Conservation 20 (1980): 3–20.

Vardi, Lianna. "The Abolition of the Guilds during the French Revolution." French Historical Studies 15, no. 4 (1988): 704–17.

Vaquier, André. "Un philanthrope méconnu Cadet de Vaux 1743–1828." Mémoires de la Société de l'histoire de Paris et de l'Ile-de-France 9 (1957-58): 369–468.

Veblen, Thorstein. The Theory of the Leisure Class: An Economic Study of Institutions.1899. Reprint, New York, 2001.

"The Virtuosi of St. Luke; a Clubb First Established by Sir Ant. Vandyke, in London, and in Imitation Continued Down to the year 1738 to January 1738 /39, 1743." The 39th Annual Report of the Council of the Art Union of London. London, 1875.

Wadsworth, Alfred P., and Julia de L. Mann. Cotton Trade and Industrial Lancashire 1600‑1780. Manchester, England,1931.

Walker, Mack. German Home Towns: Community, State, and General Estate 1648–1871. Ithaca and London, 1971.

Wallert, Arie, Erma Hermens. Marja Peek, ed. Historical Painting Techniques, Materials and Studio Practice.Marina de Rey, Calif. and Leiden, Netherlands, 1995.

Walls, Gordon L. "The G. Palmer Story (or, What It's Like, Sometimes, to Be a Scientist)." Journal of the History of Medicine and Allied Sciences 11 (1956): 66–96.

Walpole Society. "Vertue Note Books Volume 3" The Twenty-second Volume of the Walpole Society 1933–1934. Oxford, 1934.

Walters, Alice N. "Conversation Pieces: Science and Politeness in Eighteenth-Century England." History of Science35 (1997): 121–54.

Walters, Barrie. "The Journal des savants'and the Dissemination of News of English Scientific Activity in Late Seventeenth-Century France." Studies on Voltaire and the Eighteenth Century 314 (1993):133-66.

Walton, Whitney. "Working Women, Gender and Industrialization in Nineteenth-Century France: The Case of Lorraine Embroidery Manufacturing." European Woman and Preindustrial Craft. Ed. Daryl Hafter. Bloomington, 1995.

Weale, R. A. "Trichromatic Ideas in the Seventeenth and Eighteenth Centuries." Nature179 (1957): 648–51.

Weber, Robert J., et al. "Studying Invention: The Hand Tool as a Model System." Science, Technology and Human Values18, no. 4 (1993): 480–505.

Wellham, Arthur. "The Theory of Dyeing (And the Secret of Life)." Journal of the Society of Dyers and Colourists 116 (May-June 2000).

Welsh, Frank S. "Particle Characteristics of Prussian Blue in an Historical Oil Paint." Journal of the American Institute for Conservation 27 (1988): 55–63.

Welsh, Frank S. "The Early American Palette: Colonial Paint Colors Revealed." Paint in America: the Colors of Historic Buildings. Ed. Roger W. Moss. Washington, D.C., 1994.

Wescher, H. Great Masters of Dyeing in Eighteenth-Century Century France.Ciba Review 18. Basel, February 1939.

Westfall, Richard S. The Construction of Modern Science. Cambridge History of Science. Ed. George Basalla and William Coleman. Cambridge, England,1977.

Wheeler, T. S., and J. R. Partington. The Life and Work of William Higgins Chemist (1763-1825). New York, 1960.

White, R. "An Examination of Thomas Bardwell's Portraits ‑‑ The Media." Studies in Conservation 29 (1975): 109–113.

Whitehouse, David B., ed. "The Portland Vase." Special issue of Journal of Glass Studies 32 (1990):14-188.

Whitley, William T. Artists and their Friends in England 1700‑1799. London, 1928.

Whitman, Leanna-Lee, and Maruta Skelton. "Where Did All the Silver Go?: Identifying Eighteenth-Century Chinese Painted and Printed Silks." The Textile Museum Journal 22 (1983): 33–52.

Wildenstein, Georges. Liste des maîtres peintres et sculpteurs de l'Académie de Saint‑Luc, Paris. Les Beaux‑Arts Edition d'etudes et de documents 34. Paris, 1926.

Wills, N. T. "Woad Growing and Manufacture in the Lincolnshire and Cambridgeshire Fens and in Northamptonshire." Dyes in History and Archaeology 11 (1992): 6–9.

Wilson, W. E. "Fabien Gautier d'Agoty and His Histoire naturelle règne minéral, 1781." Mineralogical Record 26, no. 4, (1995): 65–74.

Wine, Humphrey. "Quelques Aspects de l'Interaction Entre la Science, la Technique et les Beaux-arts." Dix-huitième siècle 31 (1999): 107–22.

Wolf, A. A History of Science, Technology, and Philosophy in the Eighteenth Century.London, 1952.

Wyatt, J. C. Y. "Notes on the Use of Cobalt in Later Chinese Ceramics." Ars Orientalis 11 (1979): 63‑83.

Wyman, Colin. "Early Techniques of Transfer Printing." Transactions of the English Ceramic Circle 10.2 (1980): 187–99.

Wyman, Colin. "P.P. Burdett." Transactions of the English Ceramic Circle 10.4-5 (1980): 305–13.

Yeo, Richard. "Encyclopaedic Knowledge." In Books and the Sciences in History. Ed. Marina Frasca-Spada and Nick Jardine. Cambridge, 2000.

Young, Hilary, ed. The Genius of Wedgwood. London, 1995.

Yushkin, N.P. "Origin and Evolution of Fundamental Mineralogical Ideas." In Toward a History of Mineralogy, Petrology and Geochemistry. Proceedings of the International Symposium on the History of Mineralogy, Petrology and Geochemistry. Ed. Bernhard Fritscher and Fergus Henderson. Vol. 23. Algorismus Studien Zur Geschicthe der Mathematik und der Naturwissenschaften Herausgeegeben von Menso Folkerts. Munich, 1998.

Zick, Gisela. Berliner Porzellan an der Manaufaktur von Wilhelm Caspar Wegely 1751–1757. Berlin, 1978.

Ziderman, Irving I "Blue Thread of the Tzitzit: Was the Ancient Dye a Prussian Blue or Tyrian Purple?" Journal of the Society of Dyers and Colourists 97 (1981): 362–64.

Zorn, Wolfgang. "Probleme der Deutschen Gewerbe-und Handelsgeschichte 1650–1800." In Festschrift Hermann Aubin Zum 80. Geburtstag. Ed. Otto Brunner, et al. Wiesbaden, 1965.

^top

---